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ARC-iJAC Activities

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[イベント情報]
2024年7月 3日(水)

2024年7月3日(水)18:00より、Web配信にて第136回国際ARCセミナーを開催いたします。

プログラムは下記となります。

講師:石井 真美子氏(立命館大学 文学部中国文学・思想専攻 教授)

タイトル:「祇園祭と中国古典文学」


日時:2024年7月3日(水)18:00~19:30

参加:Zoom配信(関係者のみ・予約不要)

クローズドイベントのため、YouTube配信はございません。

[イベント情報]
2024年6月26日(水)

2024年6月26日(水)18:00より、Web配信にて第135回国際ARCセミナーを開催いたします。

プログラムは下記となります。

講師:

町田 樹 (國學院大學 准教授)
栗原 祐司(国立科学博物館 副館長・理事)
新名 佐知子(秩父宮記念スポーツ博物館・図書館)

タイトル:「日本のスポーツアーカイブを未来へと継承するために」


日時:2024年6月26日(水)18:00~19:30

参加:Zoom配信(関係者のみ・予約不要)

※ARCメンバー以外の方は Youtubeよりご参加いただけます。こちらからご覧下さい。

カリフォルニア大学バークレー校 日本研究センター(CJS)と、立命館大学アート・リサーチセンター(ARC) 共催のもと、第二回 合同コロキウム「アメリカから研究する日本、海外に発信する日本研究」を開催します。

日時: 2024年6月21日(金) 14:00-17:30
会場: 立命館大学アート・リサーチセンター(ARC)+ZOOM (※closedな研究会として行われます)

協力:立命館大学アート・リサーチセンター 文部科学省国際共同利用・共同研究拠点「日本文化資源デジタル・アーカイブ国際共同研究拠点」

プログラム (予定)

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[イベント情報]
2024年6月12日(水)

2024年6月12日(水)18:00より、Web配信にて第134回国際ARCセミナーを開催いたします。

プログラムは下記となります。

講師:高野 光平氏(茨城大学人文社会科学部現代社会学科 教授)

タイトル:「20世紀のテレビCMデータベースについ


日時:2024年6月12日(水)18:00~19:30

参加:Zoom配信(関係者のみ・予約不要)

クローズドイベントのため、YouTube配信はございません。

[イベント情報]
2024年5月23日(木)

立命館大学アート・リサーチセンター(ARC)では、国際共同研究プロジェクトの活動支援の一つとして、米国のESRI社のGISプラットフォーム(ArcGIS)で利用できるArcGIS Onlineアカウントの提供を行っています。国際共同研究プロジェクトのメンバーは、以下の条件で当センターが発行するアカウントを利用できます。希望者は、ml-tech-support[ at ]ml.ritsumei.ac.jpに、ご連絡ください([ at ]は@へ置き換えてください。)。この際、メールの件名を「ArcGIS Onlineアカウントの発行希望」とし、本文に1. 氏名、2. 登録プロジェクト名、3. メールアドレスを記載してください。

- 国際共同研究プロジェクトに登録している研究者(分担者、院生含む)。
※国際共同研究プロジェクトにまだ登録されていない場合は、まず、国際共同研究プロジェクト〔研究設備・資源活用型〕[D]の申請書をご提出ください。なお、国際共同研究課題教育実践の目的とした場合は、国際共同研究課題〔ARCシステム教育実践活用〕[E] の申請書をご提出ください。→詳細はこちらです。
- 発行するアカウントは、一人一アカウントとなります。
- 各ユーザーは、250クレジットを使用できます。※追加を希望する場合は別途ご相談ください。
- 本アカウントは年度ごとに更新が必要となります。
- 登録者の上限に達した場合、お申込みいただいてもアカウントの発行や、年度をまたぐ継続利用ができない場合があります。

[イベント情報]
2024年5月22日(水)

2024年5月22日(水)18:00より、Web配信にて第133回国際ARCセミナーを開催いたします。

プログラムは下記となります。

講師:高野 明彦氏(立命館大学衣笠総合研究機構 招聘研究教員(客員教授))

タイトル:「デジタルアーカイブを用いた探求学習のための教材作成について」


日時:2024年5月22日(水)18:00~19:30

参加:Zoom配信(関係者のみ・予約不要)

※ARCメンバー以外の方は Youtubeよりご参加いただけます。こちらからご覧下さい。

この度、立命館大学アート・リサーチセンター(ARC)は、加藤周一現代思想研究センターと提携し、立命館大学図書館が所蔵する加藤周一文庫の「資料閲覧データベース」と「資料検索システム」を公開しました。

「加藤周一文庫 資料閲覧データベース」
https://www.dh-jac.net/db1/resource/search_2023i05.php

「加藤周一文庫 資料検索システム」
https://www.dh-jac.net/db1/resource/search_KSB2023i05.php

加藤周一(1919年~2008年)は、戦後日本を代表する国際的知識人であり、洋の東西にわたる該博な知識と広い視野のもとに日本文学史や日本美術史を研究しました。

2015年に設立された「加藤周一現代思想研究センター」は、立命館大学図書館加藤周一文庫に収められた膨大な蔵書と遺稿類の研究およびそこで得られた知見の社会への発信・活用、国際的知識人の育成をその活動目的としています。

加藤周一文庫の「資料閲覧データベース」と「資料検索システム」はARCによって開発・公開され、オンライン上での研究活動を支援するためのシステムとして運用されています。


関連URL:

加藤周一現代思想研究センター:https://www.ritsumei.ac.jp/research/center/kato_shuichi/

加藤周一文庫:https://www.ritsumei.ac.jp/lib/b07/020/

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この度、イギリス・ロンドンにある大英博物館では、日本学術振興会(JSPS)および英国研究・イノベーション機構(UK Research and Innovation, UKRI)の助成による国際共同研究プロジェクト「上方文化サロン:人的ネットワークから解き明かす文化創造空間 1780-1880」の研究成果を紹介する1年間の特別展示が開催されました。

ukri_9.jpg

立命館大学アート・リサーチセンター(ARC)センター長の赤間亮教授と大英博物館アジア部学芸員の矢野明子博士を研究代表者とするこの研究プロジェクトは、大英博物館、そして日本各地に所蔵されている5,000点を超える作品を分析することで、前近代日本、特に1780年から1880年頃の京阪神地域で発達した“上方文化サロン”や文化創生における集団制作(合作)システムの文化的・社会的影響を調査・分析し、高度な文化成熟が成立するメカニズムを解明することを目的としています。

本プロジェクトは、これらの作品をARCが構築・運営するオンライン型研究システム「上方文化人総合データベース」に登載されました。このシステムは、研究活動に活用できる前近代日本文化研究の新たなポータルとして、複数のデータベースにより構成されています。将来的に同様の形で異なるテーマのポータルを追加することも可能です。

→ARCバーチャル・インスティテュート:「上方文化サロンとネットワーク 1780年~1880年」

COVID-19の課題に取り組むこのプロジェクトは、立命館大学アート・リサーチセンター、関西大学、京都国立近代美術館、大英博物館、ロンドン大学東洋アフリカ研究院(SOAS)の研究者チームから構成され、オンライン・デジタル技術を駆使した日英共同研究の効率的な進め方の模範となっています。

また本プロジェクトは、国際的な研究環境の中で日英の若手研究者にデジタル・ヒューマニティーズの基礎を学ぶ機会を提供し、日本研究の若手研究者育成に貢献しました。


本研究は、日本学術振興会国際共同研究事業英国との国際共同研究プログラム(JRP-LEAD with UKRI)[課題番号JPJSJRP 20211708]による支援を受けたものです。

実施期間: 2021年12月1日~2024年11月30日(3年間)

関連記事:https://www.britishmuseum.org/research/projects/making-art-together-japan 


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With the establishment of the International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC) in 2019, the Art Research Center strives to push the internationalization of research activities that transcend disciplines and geographic boundaries.

NEWS

April 10, 2024: The cherry blossoms in front of the Art Research Center (ARC) at Kinugasa Campus, Ritsumeikan University, have reached their peak.
The Digital Archiving Workshop comes after the renewal of the MoU between Ritsumeikan University, Ritsumeikan Asia Pacific University, and SOAS University of London, which includes expanding research cooperation in Digital Humanities (DH).

The workshop comprised of a talk by Prof. Ryo Akama (Director of the ARC) on the ARC Research Space as a comprehensive digital resesarch space for Japanese arts and culture, and a case study by Dr. Ellis Tinios (Honorary Lecturer, University of Leeds) on transforming research in old Japanese books through the ARC Research Space, followed by a practical session on digitization methods for Japanese materials based on ukiyo-e prints and old Japanese books in the SOAS Library collection. >> Read more.
International Joint Research
・To Utilize the Center's Facilities and Equipment [D]
・To Utilize the ARC System for Educational Purposes [E]
・To Utilize the ARC Research Space (Database System etc.) for Dissemination of Information [F]
During the course of the ARC-iJAC project of Dr. Pilar Cabañas and her team of the Asia Research Group (GIA) at the Complutense University of Madrid in the past two years, significant progress has been made in the analysis and cataloging of ukiyo-e albums and illustrated books in the Complutense University Library collection.
>> Read interview.
The workshop, co-organized by the ARC-iJAC and the Research Center for Chinese Cultural Metaverse in Taiwan (CCMTW), National Chengchi University, in cooperation with the Department of History, Hong Kong Baptist University, was attended by Prof. Shi-Chi Mike Lan (Deputy Director of the CCMTW), Prof. Chi Man Kwong (Hong Kong Baptist University), and Prof. Keiji Yano (Deputy Director of the ARC), amongst others.

Besides discussing the future collaboration between the ARC and the CCMTW, the workshop provided a valuable opportunity for an exchange opinions on various topics regarding the use of the metaverse in DH research, including platforms suited for research use, methods for acquiring high-quality 3D data, and the application of digital technologies, such as Geographic Information System (GIS), to the metaverse. >> Read more.
The 13th Forum for Knowledge, Arts, and Culture in Digital Humanities was held by the Forum for Knowledge, Arts, and Culture in Digital Humanities, co-organized by the Kansai Division of the Japan Art Documentation Society and the Kansai Division of the Japan Society of Information and Knowledge in cooperation with the ARC-iJAC. This event also served as a conference for young researchers of the ARC-iJAC. >> Read more.
Co-hosted by the Art Research Center (ARC); SOAS Centre for Translation Studies; the Japan Research Centre (JRC), SOAS University of London; and Ritsumeikan Center for Game Studies (RCGS).

1. Speaker: Dr. Ali ALAVI (Lecturer in Middle Eastern and Iranian Studies, School of Languages, Cultures and Linguistics & Co-Director of Centre for Iranian Studies, SOAS University of London)
Topic: Beyond Orientalism: The Evolution of Game Studies in Iran's Digital Realm

2. Speaker: Juhyung SHIN (Senior Researcher, Kinugasa Research Organization, Ritsumeikan University)
Topic: Exploring Serious Games in South Korea

Upcoming Events
Co-hosted by the Art Research Center (ARC); the Japan Research Centre (JRC), SOAS University of London; and SOAS Centre for Translation Studies.

1. Speaker: Dr. Monika HINKEL (Lecturer in the Arts of Japan, Department of History of Art and Archaeology, SOAS University of London)
Topic: Contemporary Interpretations of Ukiyo-e

2. Speaker: Prof. Yumi TAKENAKA (Graduate School of Core Ethics and Frontier Sciences, Ritsumeikan University)
Topic:「浮世としての家庭空間─勝川春章《婦女風俗十二ヶ月図》の構図をめぐる試論」
(Domestic Space as an Ukiyo: An Essay on the Composition of Katsukawa Shunshō's "Scenes of Women's Lives in the Twelve Months")

Participation: online via Zoom, free of charge
(relevant parties only, no reservation required)

*This is a closed event and YouTube livestream is not available.

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Previous issues:
Winter 2023, Autumn 2023, Summer 2023, Spring 2023, Winter 2022, Autumn 2022, Summer 2022, Spring 2022, Winter 2021, Autumn 2021, Summer 2021, Spring 2021, Winter 2020, Autumn 2020, Summer 2020, Spring 2020

Background:
The ARC-iJAC project Ukiyo-e, illustrated books, albums and painted books in Madrid Collections emerged as an initiative of Asia Research Group (GIA), attached to the Complutense University of Madrid in Spain, which has been collaborating with the Art Research Center (ARC) for about two years and thanks to which significant progress has been made in the analysis and cataloging of ukiyo-e albums and books that are part of the collections of the Complutense University Library and that have remained almost unknown and, in some cases, in a poor state of preservation.
Involved in this project have been the professors Pilar Cabañas, Matilde Arias, Aitana Merino, and Ana Trujillo with the new incorporation of the researcher Alba Finol.

Click here for the Japanese collection of the UCM:
→ARC Ukiyo-e Portal Database
→ARC Early Japanese Books Portal Database

Could you please tell us about your motivation and the purpose of conducting the ARC-iJAC research project on the ukiyo-e, illustrated books, and albums in Madrid collections?

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What encouraged us to initiate this project was to give value to the collections of the Complutense Library. Due to a lack of resources, these books and ukiyo-e had remained uncatalogued in the university's collections.

This project has enabled us to study them in-depth and make them known, not only in the Spanish context as part of the heritage of our institution, but also internationally, since the ARC database is a platform of great diffusion for specialists in Japanese art from all over the world. We are delighted with this possibility. Moreover, thanks to this collaboration, being in a space of great specialists, we can compare our knowledge and expand it.

What is distinctive about the Madrid collections?

In Madrid, there are no large collections of Japanese art or a historical tradition of its study. In the absence of major collectors, this material is a unique example within the panorama of Spanish collecting. Through these pieces, we can study the motivations and interests of the Spanish artistic market of the time, determined by its particular historical context, both economic and cultural.

Although they are not numerous, they are interesting examples of costumes, kabuki plays, and other themes that make us wonder about how they were perceived at the time in the Spanish context. Given the importance of their authors, they also represent a re-evaluation of the heritage of Japanese art in Spain.

How has the ARC-iJAC supported you in realizing this project and which research objectives have you been able to achieve?

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The collaboration with the ARC-iJAC has been fundamental in the work of cataloging these works, solving our doubts whenever we have had them, especially in the transcription of texts and in the cataloging of themes and artists, as well as in certain specificities related to the art history of Japanese antique books and ukiyo-e.

You have recently launched an online exhibition on shini-e. Can you tell us more about it?

The virtual exhibition of SHINI-E, hosted on the website of the Complutense Library of Madrid, was an initiative on our part to publicize our project. We decided to focus on a specific aspect of the collection that would be attractive to users, and it seemed to us that the shini-e genre was little known to the general public.

The preparation of this exhibition involved presenting the public with specific information, not only about shini-e but also about more general aspects related to shini-e. Some of the merits achieved have been the opportunity to study specific aspects of each print - not only technical data collected in the print;something that already appears in the ARC database -but also information about the characters depicted.The transcription of the texts that appear in the images is perhaps the most valuable information obtained through this process. This allowed us to translate them into Spanish, including linguistic decisions that we understand will be useful for future students and researchers of the collection.

Likewise, the presentation is made in a way intended to be clear, and useful, even for those uninitiated in the Japanese language. Another specific aspect is that each image shown is accompanied by a link that directs the user to the ARC database to access detailed information that appears in neither the interface of the Complutense Library collection nor in the virtual exhibition. In these cards, we have tried to include texts in English to facilitate communication with those users who are not familiar with either the Japanese or Spanish languages, although these are isolated cases and not the entire collection.

JA13052.jpg

How do you feel about the execution of the ARC-iJAC project? Have you come across any particular challenges?

Thanks to the implementation of this project, detailed cataloging of part of the library's holdings has been carried out. This research has led to new discoveries within the collection itself, such as the existence of poems, characters, and kabuki plays not yet studied in the Spanish scene. It has also meant a clear dissemination of information that has generated interest among the general public and students of Japanese art. All this makes clear the importance of the ARC database as a working tool for researchers who want to specialize in Japanese prints.

As for the challenges, although the albums were already digitized, when we checked the original material we could see that some of the albums were in a poor state of conservation, discolored, and out of order. The lack of institutional funds for the project also contributed to the limitations in achieving and meeting deadlines.

How did you first connect with the Art Research Center (ARC) at Ritsumeikan University? How did you hear about the International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC)?

It was through the collaboration scholarships offered on their web page. It seemed like just what we were looking for. In addition, the database is also well-known among specialists in Japanese art in Spain, so we were delighted to have been able to collaborate with the ARC-iJAC.

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In our experience, collaboration with Japanese institutions has always been great. We have always learned a lot from them, and this was no exception.

Is there anything else you would like to comment on or highlight, for example, regarding the direction of future collaboration?

It is an honor for us to be part of this immense project, considering our small contribution. We are excited and look forward to moving forward in the future.


Activities carried out as a result of the collaboration with the ARC-iJAC during FY 2023:

- Virtual exhibition of SHINI-E, hosted on the website of the Complutense Library of Madrid, was an initiative on our part to publicize our project. Focused on the shini-e genre. (https://patrimoniodigital.ucm.es/s/shinie-en/page/welcome)

- Complu-Asia Seminar: Museums in Asia. With two lectures on: digital archives // our collaboration with the ARC-iJAC (https://f965c820-9ad9-444b-8c5c-fbd24bc1b6fb.filesusr.com/ugd/c52cf2_d87c32a19d334acfa7183dd43c82d393.pdf)

- Revista de museología: Spanish publication with upcoming issue dedicated to Japanese art collections and museums both in Japan and internationally, again paying special attention to the digital humanities (https://www.museologia.net/)

- International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC) & "Digital Humanities Center for Japanese Arts and Cultures"-Project, Art Research Center, Ritsumeikan University FY2023 Annual Report Meeting: "Ukiyo-e, illustrated books, albums and painted books in Madrid Collections" conference (Aitana Merino)

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