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[イベント情報]April 11, 2022(Mon)Background:
Dr. Mohamed Soliman is an Egyptian archaeologist and the Director of the Advanced Studies Unit for Cultural Heritage at the National Research Institute of Astronomy and Geophysics (NRIAG) in Cairo. While completing his two-year JSPS Postdoctoral Research Fellowship at Ritsumeikan University's Institute of Disaster Mitigation for Urban Cultural Heritage (DMUCH), Dr. Soliman started his research project "Qait'bay Citadel (1477-1479): Visualizing the Main Coastal Fortification of Medieval Alexandria, Egypt" in FY 2021 supported by the ARC-iJAC.Dr. Soliman, thank you very much for this interview. How was your time here in Japan?
Dr. Soliman: Thank you. Although the pandemic hit us soon after my arrival, and I had to adapt my research plans, I had a rewarding time in Japan. The field of cultural heritage studies, in particular, relies a lot on field data acquisition, so working from home is difficult.
However, I received a lot of guidance from my host professor Keiji Yano* to achieve my research goals, conduct joint research and expand my network within the Japanese research community.
*Professor Keiji Yano (College of Letters, Ritsumeikan University) is a Deputy Director of the Art Research Center.
Could you please tell us why you started the project of visualizing Qait'bay Fort?
Dr. Soliman: Qait'bay Fort, built in the 15th century, is not only considered one of the most significant fortifications in Egypt but along the Mediterranean Sea.
The Fort stands on the same site as the legendary Pharos Lighthouse. However, it is exposed to natural and man-made disasters such as seismic hazards and tsunamis due to this location.
The fire disaster at Notre Dame Cathedral in Paris in 2019 reminded us of the importance of 3D visualization to preserve and document cultural heritages at risk and make our research outcomes available to scholars and the public alike.
At the same time, the project contributes to the sustainability goals of our local tourism industry, reflected in the Sustainable Development Strategy (SDS): Egypt Vision 2030.
Furthermore, we consider this a prototype project to build bridges of scientific collaboration between Ritsumeikan University, E-JUST** and NRIAG.
**Egypt-Japan University of Science and Technology (E-JUST)
Read more>>[イベント情報]April 5, 2022(Tue)The online exhibition 'Encountering Asia: Traveling, Imagination, and Creation of Arts' was jointly held by the Asia-Japan Research Institute, Ritsumeikan University, and the International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC), Art Research Center, Ritsumeikan University from March 1-31, 2022.
Adopted by the Program for Asia-Japan Research Development of the Asia-Japan Research Institute, the project 'Creation of Asian Art Studies' aims to open up new horizons of art research by introducing a wide range of disciplines, including esthetics, art history, dramatic arts, and other arts disciplines, as well as literature, print bibliography, history, comparative cultural history, human geography, and digital humanities to the study of the diverse arts in Asia, including Japan.
Note: A part of the online exhibition remains open to the public after the exhibition period. →Click here for the exhibition website.
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Encountering Asia: Traveling, Imagination, and Creation of Arts (めぐりあいアジア─芸術の移動・想像・創成─)
Exhibition period: March 1 (Tues) - 31 (Thurs), 2022
Free of charge (online).
URL: https://www.arc.ritsumei.ac.jp/PJ/asia/Accompanying the online exhibition, an Online Gallery Talk was held.
<Event> Online Gallery Talk
Date: March 6 (Sun), 2022 13:00 - 15:00 JST
Participation: via Zoom (e-mail notification will be sent upon registration)[イベント情報]April 1, 2022(Fri)The Art Research Center (ARC), Ritsumeikan University, is pleased to announce the start of our international joint research project 'Creative Collaborations: Salons and Networks in Kyoto and Osaka 1780-1880' (「上方文化サロン:人的ネットワークから解き明かす文化創造空間 1780-1880」), supported by JRP-LEAD with UKRI, an international joint research program under UK Research & Innovation (UKRI) and the Japan Society for the Promotion of Science (JSPS).
The research project--a collaborative scholarly enterprise among researchers and institutions in Japan and the UK--aims to analyse the cultural and social impact of art and literary salons and the collective creation of art (gassaku) in early modern Japan, particularly in the Kyoto-Osaka region during 1780-1880.
Addressing the COVID-19 challenges, the project also examines how a Japan-UK research project can be conducted efficiently using digital online technologies for remote collaboration and keeping physical traveling to a minimum.
Furthermore, the project fosters early-career researchers in Japanese studies by providing an opportunity for young researchers to gain hands-on experience in the basic aspects of digital humanities within an international research environment.
This project is led by the Principal Investigators (PI), Professor Ryo Akama, the current Director of the ARC, and Dr. Akiko Yano, Curator in the Department of Asia at the British Museum. The core team comprises researchers from the Art Research Center (ARC), Kansai University (KU), the National Museum of Modern Art, Kyoto, the British Museum (BM), and SOAS, University of London.
The project duration is three years, and its research outcomes will be presented in an exhibition at the British Museum in 2024.
[イベント情報]March 28, 2022(Mon)The Kunitachi College of Music Library in Tokyo holds one of the most extensive collections of materials on early modern Japanese music--the Takeuchi Dokei Collection--which belonged to the late Professor Takeuchi Dokei, a significant contributor to Japanese music research.
In addition to ukiyo-e and banzuke already available online, we are pleased to announce that we have further released 5,100 volumes of nagauta shohon (thin lyric booklets) to the public through the Art Research Center's Virtual Institute.
→ https://www.arc.ritsumei.ac.jp/lib/vm/kunitake/d/
The distinctive feature of this collection is that it comprises a large number of copies of the same piece of music. For example, there are 73 authentic copies of Kyōganoko Musume Dōjōji (『京鹿子娘道成寺』) with many variations.
We hope this collection may serve you as a valuable online resource for research on the history of Japanese music, kabuki, publication culture, and the study of ukiyo-e prints.
[イベント情報]March 21, 2022(Mon)The online exhibition 'The Three Kingdoms: The Fellowship of the Water Fishes' is held from February 14 to March 31. As part of this exhibition, we invite you to join our online lecture on March 21, 2022 (free of charge).
The lecture will be given by Prof. Isao Umebayashi (Shitennoji University) whose research project 'Collection and Preservation of Traditional Games from around the world, the Systematization and the Study of Cultural Relevance of them' is among the FY 2021 adopted joint research projects of the International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC).
Furthermore, Prof. Akinori Nakamura (College of Image Arts and Sciences, Ritsumeikan University) and Prof. Koichi Hosoi (College of Image Arts and Sciences, Ritsumeikan University), will be presenting their research findings from the Program for Supporting Research Center Formation, Art Research Center, Ritsumeikan University.
We look forward to your participation!
◆Online Lecture 'The Three Kingdoms: The Fellowship of the Water Fishes' ◆
https://suigyo.gameexhibition.net/topics/
Date:March 21 (Mon), 2022 16:00-17:30
→ https://ritsumei-ac-jp.zoom.us/j/97815419256 (Webinar ID: 978 1541 9256)
Organizer: Executive Committee of the Exhibition 'The Three Kingdoms: The Fellowship of the Water Fishes'
Co-organizer: Ritsumeikan Center for Game Studies (RCGS), International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC), Art Research Center, Ritsumeikan University
◆Online Exhibition 'The Three Kingdoms: The Fellowship of the Water Fishes' ◆Open until March 31: https://suigyo.gameexhibition.net
[イベント情報]March 7, 2022(Mon)The FY2021 Annual Report Meeting of the International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC) & "Digital Humanities Center for Japanese Arts and Cultures" Project, Art Research Center, Ritsumeikan University, was held on February 25 (Sat) & 26 (Sun), 2022.
Please click here for the program (PDF format).
To prevent the spread of COVID-19, the event was held online via Zoom.
[イベント情報]March 6, 2022(Sun)As part of the online exhibition 'Encountering Asia: Traveling, Imagination, and Creation of Arts', we will hold an online gallery talk.
<Event> Online Gallery Talk
Date: March 6 (Sun), 2022 13:00 - 15:00 JST → Register here.
Participation: free of charge, via Zoom (e-mail notification will be sent upon registration)
<Online Exhibition> Encountering Asia: Traveling, Imagination, and Creation of Arts (めぐりあいアジア─芸術の移動・想像・創成─)
Exhibition period: March 1 (Tues) - 31 (Thurs), 2022
Free of charge (online).
The online exhibition 'Encountering Asia: Traveling, Imagination, and Creation of Arts' is jointly held by the Asia-Japan Research Institute, Ritsumeikan University, and the International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC), Art Research Center, Ritsumeikan University.
The project 'Creation of Asian Art Studies', adopted by the Program for Asia-Japan Research Development of the Asia-Japan Research Institute, aims to open up new horizons in the study of the diverse arts in Asia--including Japan--by bringing together a wide range of disciplines, including esthetics, art history, theatre studies, and other arts disciplines, as well as literature, print bibliography, history, comparative cultural history, human geography, and digital humanities.
[イベント情報]February 28, 2022(Mon)On February 28, 2022, the Asahi Shimbun featured an article on the joint research project led by Professor Masaaki Kidachi (College of Letters, Ritsumeikan University) on climbing kilns in Gojo-zaka, Kyoto.
[イベント情報]February 26, 2022(Sat)Date: Friday, February 25, 10:00-17:40 (JST) and Saturday, February 26, 10:30-17:45 (JST)
Venue : Online(Zoom)Organised by:International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC) & "Digital Humanities Center for Japanese Arts and Cultures" Project, Art Research Center, Ritsumeikan University
To prevent the spread of COVID-19, the event will be held online via Zoom.
Please click here for the program.
For inquiries, please contact us at r-darc (at) st.ritsumei.ac.jp (change "at" to @).
プログラム
2月26日(土) 10:30-11:45 「⽇本⽂化デジタル・ヒューマニティーズ拠点」プロジェクト 成果報告(各15分・質疑応答含む)
26. コラボレーション型プロジェクト︓AI とゲームシステムによる「遊べる京都⽂化資源アーカイブ」の構築」
プロジェクト代表者︓⽴命館⼤学 映像学部 准教授 斎藤 進也
コラボレーションG ︓ゲームという⼿段を通じた浮世絵などの画像公開システム開発プロジェクト
コラボレーションG ︓近代のまちを語るものたちー古写真・絵葉書・映像資料の時空間データベースの構築ー プロジェクト
発表者︓⽴命館⼤学 映像研究科 修⼠課程 1 回⽣ 岡⽥ 陸
27. 「江⼾・明治・⼤正期の⼤規模⽂化情報の連環による知的⽣産プロジェクト」
プロジェクト代表者︓⽴命館⼤学 ⽂学部 教授 ⾚間 亮
発表者︓⽴命館⼤学 ⽂学研究科・⽂化情報学専修・博⼠課程前期課程 ⼾塚 史織
発表者︓⽴命館⼤学 ⽂学研究科 1 回⽣ ⼭本 睦⽉
発表者︓⽴命館⼤学 ⽂学研究科 博⼠課程後期課程 安宅 望
28. 「空間ビッグデータの活⽤の可能性について」
プロジェクト代表者︓⽴命館⼤学 ⽂学部 教授 ⽮野 桂司
29. 共同研究「ボロブドゥール寺院と當麻寺の三次元計測可視化」
プロジェクト代表者:立命館大学 先端総合学術研究科・教授 竹中 悠美
発表者:立命館大学 先端総合学術研究科一貫性博士課程・7回生 向江 駿佑
30. 「『遊び』をテーマとした⻑江家住宅のリアルX バーチャル展⽰会プロジェクト」
プロジェクト代表者︓⽴命館⼤学 ⽂学部 特任助教 佐藤 弘隆11:45-13:00 -休憩(75分)- 13:00-13:45 【国際共同利⽤・共同研究拠点 テクニカルサポートボード ワークショップ】
ARC リサーチスペース と Intelligent Production Tool "KINUKAKE"
発表者︓⽴命館⼤学 ⾐笠総合研究機構 准教授 ⾦⼦ 貴昭
発表者:⽴命館⼤学 ⽂学部 教授 ⾚間 亮13:45-14:15 「⽇本⽂化デジタル・ヒューマニティーズ拠点」プロジェクト 成果報告 (各15分・質疑応答含む)
31. 「ゲームという⼿段を通じた浮世絵などの⽂化的な素材公開プロジェクト」
プロジェクト代表者︓ ⽴命館⼤学 情報理⼯学部・教授 THAWONMAS Ruck
発表者:⽴命館⼤学 理⼯学部電⼦情報⼯学科博⼠後期課程 WEI Zhenao
32. 「古典籍での遊び ―AIによる甲骨字トレースから甲骨への復元、および日本古典籍修復への試みに関するプロジェクト」
プロジェクト代表者︓ ⽴命館⼤学 情報理⼯学部・准教授 孟 林
発表者:⽴命館⼤学 理⼯学部電⼦情報⼯学科博⼠後期課程1年⽣ LYU Bing
発表者:⽴命館⼤学 理⼯学部電⼦情報⼯学科修⼠1年⽣ WANG Ziming14:15-14:45 国際共同利⽤・共同研究拠点 国際共同研究課題 成果報告 (各15分・質疑応答含む)
33. 「徳島城博物館所蔵甲冑コレクションの3D データベースの構築」
課題代表者︓徳島⼤学総合科学部 准教授 塚本 章宏
34. 「『鴨川古写真GIS データベース』の構築と河川環境の変遷分析に関する研究」
課題代表者︓近畿⼤学総合社会学部 准教授 飯塚 公藤14:45-15:00 -休憩(15分)- 15:00-17:55
16:30-16:40国際共同利⽤・共同研究拠点 国際共同研究課題 成果報告 (各15分・質疑応答含む)
35. 「欧⽶の⽇本美術品のデジタル・アーカイブによるWEB 版総合⽬録構築とその活⽤」
課題代表者︓メトロポリタン美術館 アソシエイト・キュレーター Monika BINCSIK
発表者︓⽴命館⼤学 ⽂学部 教授 ⾚間 亮
36. 「インド国⽴サラール・ジャング博物館所蔵⽇本美術デジタル・アーカイブ」
課題代表者︓京都⼥⼦⼤学家政学部 准教授 前﨑 信也
37. 「芳賀⽮⼀『⽇本⼈名辞典』からの歴史⼈物情報の抽出および情報構造化」
課題代表者︓尾道市⽴⼤学 経済情報学部 准教授 ⽊村 ⽂則
38. "Qaitʼbay Citadel (1477―1479):Visualizing the Main Coastal Fortification of Medieval Alexandria、Egypt"
課題代表者:Advisor of NRIAG President for Cultural Heritage、National Research Institute of Astronomy and Geophysics (NRIAG) SOLIMAN
39. "Expanding the Study of Japanese Photography and Gender:Modules for Teaching and Public Access"
課題代表者・発表者︓Assistant Professor、The University of British ColumbiaKelly Kelly M. MCCORMICK
発表者︓Curatorial Fellow, Wellesley College Carrie CUSHMAN
40."Using Digital Archives to Create a Research Network of Japanese Cultural Resources in the UK and Utilising Digital Resources for Japanese Studies"
課題代表者︓Lecturer in Digital Japanese Arts and Humanities、Sainsbury Institute for the Study of Japanese Arts and Cultures (SISJAC) 松葉 涼⼦-休憩(15分)-
41. ⼝述史と資料に基づく⽣活空間のGIS データベース化︓滋賀県栗東市の旧街道筋集落を中⼼に
課題代表者︓慶應義塾⼤学法学部・准教授 笠井 賢紀
42."Digital Database and Visualization of Borobudur Maritime Landscape and Japan―Indonesia Maritime Connection"
課題代表者︓Researcher、Research Center for Area Studies、Indonesian National Research and Innovation Agency Fadjar I.THUFAIL
43. "Digital Archiving of Indonesian Cultural Heritage and Development of 4D High―Definition Visualization Contents"
課題代表者︓Researcher、Research Center for Area Studies、Indonesian National Research and Innovation Agency Fadjar I.THUFAIL
44." Cultural salons and the visual arts in Kyoto and Osaka、1750-1900:Digitizing Kamigata surimono and paintings"
課題代表者︓ Emeritus Professor、SOAS、University of London Andrew GERSTLE
発表者︓⽴命館⼤学 ⽂学部 教授 ⾚間 亮17:40-17:45 閉会挨拶 9 10 11 12 13 14 15 16 17 18 19