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[イベント情報]
November 20, 2024(Wed)

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Dates: November 20 (Weds) - 22 (Fri), 2014

Time: 10:00-17:00

Location: Multi-Purpose Room, Art Research Center, Ritsumeikan University (Kinugasa campus)

No entry fee.

Organizers: Kyoto Street Culture Archive: Memories of the Pop Culture Featuring the

Streets, and their Visualization (Digital Humanities Center for Japanese Arts and Cultures); "Project for the Construction of an Archive of Non-Film Materials Related to Showa period Movie theatre Culture" (Kakenhi C); Art Research Center, Ritsumeikan University.


In the early Showa period, as motion pictures moved from silent films to "talkies," hand-drawn posters ornamented the interiors of Kyoto cinemas, advertising films currently being shown, and those upcoming. New films were largely being released weekly at that time, and it is easy to imagine that the number of posters would match this.

In this exhibit, we are featuring posters produced at the Shochiku corporation's Ofuna studios for display at the Shochiku-za, Ebisu-za, and other Shochiku-affiliated movie theatres. These include posters illustrated by Takeda Kosei (Ihachiro), who was famous at the time in the world of Kabuki for the posters and signboards he produced for Kyoto's Minami-za Kabuki theatre. Please enjoy this world of hand-drawn movie posters, designed with compositions, touches, and typefaces selected to suit each film. The exhibit also includes maps and photographs of Kyoto cinemas from the Showa 30s-40s (1950s-1970s), as well as photographic signboards, offering a nostalgic glimpse into the Kyoto of that time.

The hand-drawn posters in this exhibit are held by the Kyoto cinema posters production studio Takematsu Gabo and were displayed in Shochiku-affiliated cinemas in central Kyoto around 1928 to 1942. Similar posters were presumably displayed at other cinemas, but only these are known to survive, making them exceptionally important resources for knowing the environments of cinemas at that time. The studio's collection includes roughly 800 posters, all of which were made for Shochiku-affiliated cinemas. This three-day exhibit features roughly 60 posters made at the Shochiku Ofuna studios in 1936-1937, as well as original posters from live theatre venues and Kyoto Shochiku-affiliated cinemas' match announcements, for comparison.

赤穂市「忠臣蔵」浮世絵デジタル展示室:
https://www.arc.ritsumei.ac.jp/lib/vm/akochushingura/

The fourth online exhibition of Chushingura Ukiyo-e co-organized by the Art Research Center and Ako City, entitled "Unique Chushingura, This and That," is now open online.

Prior to this, Ako City organized three digital exhibitions using the Art Research Center's electronic exhibition systems. This fourth exhibit is not limited to actor prints (yakusha-e), images of stage plays, narrative images, or warrior prints (musha-e). We introduce various perspectives through 68 unique works, produced by ukiyo-e artists who were able to use their rich creativity to create new, imaginative, works because this was a story that almost everyone was familiar with.

These include works which reflect the lavish staging of actual stage plays; works which attempt to represent the entire story of Chushingura in a single image; and works which reimagine the story in a Western-style mode; as well as mitate-e which require considerable knowledge on the part of the viewer to interpret; humorous images that inspire laughter; and toy images that not only children but adults too will enjoy. It is no exaggeration to say that this "world" of diverse works is the material embodiment of the breadth of Chushingura culture.

Please enjoy the diversity and variety of these Chushingura prints into which ukiyo-e artists poured their creativity and talent, and which entertained the common people.

Ako City Chushingura Ukiyo-e Digital Gallery:
https://www.arc.ritsumei.ac.jp/j/report/v_museum/

Ako City Chushingura Ukiyo-e Database:
https://www.dh-jac.net/db/nishikie/search_ako.php

Entrance through Ako City's website:
https://www.city.ako.lg.jp/edu/shougai/akoukiyoedatebase.html

[イベント情報]
November 5, 2024(Tue)

tenji_11.20.PNG

Dates: November 20 (Weds) - 22 (Fri), 2014

Time: 10:00-17:00

Location: Multi-Purpose Room, Art Research Center, Ritsumeikan University (Kinugasa campus)

No entry fee.

Organizers: Kyoto Street Culture Archive: Memories of the Pop Culture Featuring the

Streets, and their Visualization (Digital Humanities Center for Japanese Arts and Cultures); "Project for the Construction of an Archive of Non-Film Materials Related to Showa period Movie theatre Culture" (Kakenhi C); Art Research Center, Ritsumeikan University.


In the early Showa period, as motion pictures moved from silent films to "talkies," hand-drawn posters ornamented the interiors of Kyoto cinemas, advertising films currently being shown, and those upcoming. New films were largely being released weekly at that time, and it is easy to imagine that the number of posters would match this.

In this exhibit, we are featuring posters produced at the Shochiku corporation's Ofuna studios for display at the Shochiku-za, Ebisu-za, and other Shochiku-affiliated movie theatres. These include posters illustrated by Takeda Kosei (Ihachiro), who was famous at the time in the world of Kabuki for the posters and signboards he produced for Kyoto's Minami-za Kabuki theatre. Please enjoy this world of hand-drawn movie posters, designed with compositions, touches, and typefaces selected to suit each film. The exhibit also includes maps and photographs of Kyoto cinemas from the Showa 30s-40s (1950s-1970s), as well as photographic signboards, offering a nostalgic glimpse into the Kyoto of that time.

The hand-drawn posters in this exhibit are held by the Kyoto cinema posters production studio Takematsu Gabo and were displayed in Shochiku-affiliated cinemas in central Kyoto around 1928 to 1942. Similar posters were presumably displayed at other cinemas, but only these are known to survive, making them exceptionally important resources for knowing the environments of cinemas at that time. The studio's collection includes roughly 800 posters, all of which were made for Shochiku-affiliated cinemas. This three-day exhibit features roughly 60 posters made at the Shochiku Ofuna studios in 1936-1937, as well as original posters from live theatre venues and Kyoto Shochiku-affiliated cinemas' match announcements, for comparison.

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Date: Aug 2 (Fri) - Aug 4 (Sun), 2024, 10:00-18:00(10:00-17:00 on the final day)

Venue: The Museum of Kyoto, 6F

Free entrance.

Inquiries: 075-551-6535 (Katayama Family Foundation for the Preservation of Noh and Kyoto Dance)

Organizer: Katayama Family Foundation for the Preservation of Noh and Kyoto Dance
Sponsored by: The Museum of Kyoto・NHK Kyoto Broadcasting Station・Kyoto Shimbun
Supported by: Art Research Center (ARC), Ritsumeikan University

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The Art Research Center (ARC), Ritsumeikan University, is pleased to announce that a one-year Special Display at the British Museum in London is currently showcasing the research outcomes of the international joint research project 'Creative Collaborations: Salons and Networks in Kyoto and Osaka 1780-1880 (上方文化サロン:人的ネットワークから解き明かす文化創造空間 1780-1880),' supported by UK Research & Innovation (UKRI) and the Japan Society for the Promotion of Science (JSPS).

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This research project, led by the Principal Investigators (PI) Prof. Ryo Akama (Director of the ARC/College of Letters, Ritsumeikan University) and Dr. Akiko Yano (Curator, Department of Asia, British Museum), aims to investigate the cultural and social impact of art and literary salons and the collective creation of art (gassaku) in early modern Japan, particularly in the Kyoto-Osaka region circa 1780-1880 by analysing over 5,000 objects in collections at the British Museum and in Japan.

During the course of this project, these works have been digitally archived and their textual inscriptions transcribed into an extensive online research database--the 'Kamigata Bunkajin Sogo Database' (「上方文化人総合データベース」)--established and operated by the ARC, providing a new portal for research on early modern Japanese culture with the possibility of incorporating other collections on different themes in the future.

→ARC Virtual Institute: Salons and Networks in Kyoto and Osaka

Addressing the challenges presented by COVID-19, the project has been exemplary in how a Japan-UK collaborative research project, comprised of a team of researchers from the Art Research Center (ARC), Kansai University (KU), the National Museum of Modern Art, Kyoto, the British Museum (BM), and SOAS, University of London, can be conducted efficiently using digital online technologies for remote collaboration.

The project has also fostered early-career researchers in Japanese studies by providing an opportunity for them to gain hands-on experience in the fundamental aspects of digital humanities within an international research environment.


This project was supported by the JSPS International Joint Research Programme (JRP-LEAD with UKRI) [JPJSJRP 20211708].

Project duration: December 1, 2021 - November 30, 2024 (3 years).

Related article: https://www.britishmuseum.org/research/projects/making-art-together-japan


Read more>>

Ako City Chushingura Digital Exhibition Room:
https://www.arc.ritsumei.ac.jp/lib/vm/akochushingura/

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The Art Research Center (ARC), Ritsumeikan University, is pleased to announce that the 3rd digital exhibition in the Ako City Chushingura Digital Exhibition Room, Chushingura Ukiyo-e from Kamigata, is available.

Based on the special exhibition Chushingura Ukiyo-e from Kamigata held at the Ako City Museum of History in 2022, this digital exhibition includes works in the Ako City Chushingura Ukiyo-e Database, along with works in the collection of the ARC.

Single-page ukiyo-e prints began to be published in the Kamigata region of Osaka and Kyoto in the Kansei period (1789-1800). Over a period of 70 years from then until the end of the Edo period, plays related to Chushingura were staged more than 200 times. In conjunction with these productions, large numbers of actor prints were created.

Kamigata-e has distinctive characteristics that differ from Edo-e, and the unique world of these artworks is highly appreciated in Europe and the United States. Our exhibition showcases some aspects of the development of Chushingura culture in the Kamigata region, mainly depicted in yakusha-e, shibai-e, and omocha-e.

We also recommend you view this exhibition together with the first digital exhibition, Aspects of Images of the Raid, held in 2019, and the second exhibition, Head of the Loyal Warriors: Oboshi Yuranosuke, held in the following year.

The Art Research Center (ARC) and Hoosiers Corporation will be holding the Byobu Matsuri, or Folding Screen Festival--a traditional custom of the Gion Matsuri--at the Nagae Family Residence in Kyoto from July 14-16, 2023.

The Nagae Family Residence is a designated tangible cultural property by the City of Kyoto. Themed around 'plants' this year, folding screens and a selection of items from the collection of the Nagae Family Residence will be showcased.

長江家住宅「屏風祭」長江家住宅「屏風祭」

The Nagae family were merchants of the kimono fabric. Their family residence, built between the late Edo period and the Taishō period, served both as a working and living space for many generations.

The ARC has been digital-archiving the collection belonging to the Nagae Family Residence after Ritsumeikan University received it as a donation. Subsequently, the ARC has become involved in planning and managing the Byobu Matsuri held annually at the residence.

This activity is based on an industry-academia collaboration with Hoosiers Corporation, concluded with a Memorandum of Understanding (MoU) on 27 May 2015, to preserve and utilize the Nagae Family Residence for the development and promotion of education and research.

Date: July 14 (10:00 - 20:00 JST), July 15 & 16, 2022 (10:00 - 19:00 JST, last admission 18:30)

Venue: Nagae Family Residence, Kyoto(京都市下京区新町通仏光寺上ル船鉾町394)

Reservations: Not required

Admission fee: 1,000 yen (including a postcard)


Inquiries

Email:nagaeke@hoosiers.co.jp
Tel:075-353-7512(weekdays only)

Official website: http://www.nagaeke.jp/

IMG_4349.jpgOn March 15, 2023, Professor Koichi Hosoi (College of Image Arts and Sciences, RU)--Deputy Director of the Art Research Center (ARC)--gave a seminar talk at Synergy Link Kyoto, a public event geared towards people from academia and the industry that encompassed seminars, exhibitions, and hands-on trial sessions centered around AR/VR, the metaverse and web3.

Synergy Link Kyoto AR/VR・メタバース・web3 ファーストステップ向けセミナー・展示・体験会The topic of his seminar talk was The Next Generation Internet World and the Industry (「次世代インターネット世界と産業」).

Furthermore, the achievements of the research group led by Professor Hosoi in collaboration with Professor Mitsuyuki Inaba (College of Policy Science, RU) on creating a Japanese cultural study environment using virtual space-related technologies, such as the metaverse, were showcased at the event.

>>Official event website


Date: March 15 (Wed), 2023, 10am - 5pm; March 16 (Thu), 2023, 10am - 4pm
Venue: Kyoto Keizai Center 2F
Admission: Advance registration is closed but it is possible to attend on the day. If you come to the venue without having registered, please make sure to bring your business card.
Admission: free of charge
Organiser: Kyoto Chiesangyo Sozonomori

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A workshop with the Association for the Preservation of Ukiyo-e Woodblock Engraving and Printmaking Techniques (浮世絵木版画彫摺技術保存協会) will be held on February 17, 2023, co-organized by the International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC), Art Research Center.

There has been a longstanding cooperation between the ARC and the association, and workshops have been previously organized in February 2011, February 2015, June 2019, and February 2022.

The purpose of the workshops is to exchange information and opinions with experts, deepen the understanding of the ARC Collection and facilitate the sharing of knowledge concerning ukiyo-e woodblock engraving and printmaking techniques.


Date: 17 February (Fri), 2023, 14:00-17:00

Method: Online (Zoom)

Program

1. Speaker: Akama Ryo (Professor and Director of the Art Research Center, Ritsumeikan University)

Topic: 海外の浮世絵コレクション紹介 欧州ドイツ編

2. Speaker: Takaaki Kaneko (Associate Professor, Kinugasa Research Organization, Ritsumeikan University)

Topic: 立命館大学アート・リサーチセンターの板木コレクション

3. Speaker: Ryoko Matsuba (Lecturer in Japanese Digital Arts and Humanities, Sainsbury Institute for the Study of Japanese Arts and Cultures, University of East Anglia)

Topic: Connecting Present to Past: Re-evaluating Japanese Traditional Printmaking プロジェクト報告および葛飾北斎作品の彫、摺の疑問点


Co-organizers: International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC), Art Research Center; Association for the Preservation of Ukiyo-e Woodblock Engraving and Printmaking Techniques

→ Website of the Association for the Preservation of Ukiyo-e Woodblock Engraving and Printmaking Techniques

For inquiries, please contact:

Office of the International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC), Art Research Center, Ritsumeikan University

E-mail: r-darc (at) st.ritsumei.ac.jp (replace "at" with @)

Supported by the International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC), the exbibition 'Arewa Textiles of African Print (「アフリカ×日本:アレワ紡の時代―ナイジェリアと日本の繊維生産 1963-2005」)' will be held at the Museum and Archives, Kyoto Institute of Technology from January 10, 2023.

Exhibition period: January 10 (Tues) - February 17 (Fri), 2023

Organizer: Museum and Archives, Kyoto Institute of Technology

Co-organizer: International joint research project 'A Digital Archive Connecting Modern Design and Industry: Towards a New History of Machine Textile Printing in Modern Kyoto' (「新しい近代京都機械捺染史構築に向けて―近代デザインと産業史をむすぶデジタル・アーカイブを一助として―」), adopted by the International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC)/ Project leader: Aya Ueda (Part-time Lecturer, Kwansei Gakuin University and Doshisha Women's College of Liberal Arts)

Supported by: University Mseum Association of Kyoto, International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC), Art Research Center, Ritsumeikan University

More information. ↓ ↓ ↓

Arewa Textiles of African Print「アフリカ× 日本 アレワ紡の時代 ―ナイジェリアと日本の繊維生産 1963-2005」

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