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  4. The Book 'Salon culture in Japan: making art, 1750−1900,' edited by ARC Visiting Collaborative Researcher Dr. Akiko Yano (British Museum), has been published

The Book 'Salon culture in Japan: making art, 1750−1900,' edited by ARC Visiting Collaborative Researcher Dr. Akiko Yano (British Museum), has been published

 [書込]

新刊のご紹介:『Salon culture in Japan: making art, 1750−1900』(大英博物館・三菱商事キュレイター/ARC客員協力研究員 矢野明子氏/編)
2024年10月10日(木)

salon_culture_.jpg

『Salon culture in Japan: making art, 1750−1900』

矢野明子 

British Museum Press 2024年6月20日出版
商品コード: 9780714124964
ハードカバー版/256項

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Full description:

Salon culture in Japan: making art, 1750-1900 celebrates the British Museum's rich collection of technically sophisticated artworks created as part of Japanese cultural salons in the late 18th and 19th centuries, featuring lively figures in daily life and festivals, elegant birds and flowers, ferocious animals, and lyrical landscapes.

This book accompanies the special 2024 display in the British Museum Mitsubishi Corporation Japanese Galleries, City life and salon culture in Tokyo and Osaka: 1770-1900.

In early modern Japan, cultural salons were creative spaces for people of all ages and social levels to pursue painting, poetry and other artistic endeavours, as serious but amateur practitioners. They all used a pen- or art-name. Individuals were therefore able to socialise and interact broadly through these artistic activities, regardless of official social status as regulated by the shogunal government. The idea of communal and collaborative creativity seems to have been especially ingrained around the area of Kyoto and Osaka. Each of the two cities had a distinct character: Kyoto was the national capital, where the emperor and aristocrats resided, and Osaka was the centre of commerce.

Only a fraction of these technically sophisticated artworks has previously been published in colour. With five essays by leading experts that explore this fascinating cultural phenomenon from different angles, and eight shorter insights that delve into specific historical aspects and the personal connections and legacies of cultural figures, this book offers a new perspective on Japanese art and society in the late 18th and 19th centuries.