DH-JAC2009 The 1st International Symposium on Digital Humanities for Japanese Arts and Cultures

 

OUTLINE

Since the start of our Ministry of Education, Culture, Sports, Science and Technology Global COE (Center of Excellence) Program "Digital Humanities Center for Japanese Arts and Cultures" at Ritsumeikan University in June 2007, we have been conducting education and research, aiming at creating a new type of the humanities that fully utilize information technologies so that we could bridge the gap between Japanese Studies in Japan and abroad, as well as lead the humanities in the future.
Welcoming distinguished scholars in various fields of digital humanities from all over the world as guest speakers, we sincerely hope that our 1st International Symposium on Digital Humanities for Japanese Arts and Cultures (DH-JAC2009) will provide us with a great opportunity not only to look back and reflect on our activities in the past two years, but also to find a path to take for the future of the Center.








 

PROGRAM MANUSCRIPTS

 

TITLES

■ DAY 1 PART 1

10:00-10:20

Geographical Information Systems and Digital Humanities: Revolution or Evolution
Keiji Yano > PROFILE

10:20-0:40

Early Modern Genre Paintings and the Digital Humanities
Masao Kawashima > PROFILE

10:40-11:00

Roles of Image databases in Art and Cultural Research
Ryo Akama > PROFILE

11:00-11:20

Digital Archive of Dancing with Motion Capture
Kozaburo Hachimura > PROFILE

11:20-11:40

The World Wide Web and Digital Humanities: A Once and Future Discipline
Mitsuyuki Inaba > PROFILE

■ DAY 1 PART 2

13:00-13:40

MANU-
SCRIPT 
The Digital Humanities, Local and Global
Neil Fraistat > PROFILE

13:40-14:10

MANU-
SCRIPT 
CultureSampo: Finnish Culture on the Semantic Web 2.0
Eero Hyvönen > PROFILE

14:10-14:40

MANU-
SCRIPT 
A Place in the Humanities
Ian N. Gregory > PROFILE

14:50-15:20

MANU-
SCRIPT 
Analogue and Digital Information in the Humanities
Masanori Aoyagi > PROFILE

15:20-15:50

MANU-
SCRIPT 
The Future of the Past: New Developments in Computer Based Cultural Heritage Research
Richard C. Beacham > PROFILE

■ DAY 2 AM

 9:00-9:25

How to Preserve and/or Conserve Historical Districts by Residents Themselves?: Case Studies of Thailand
Tomohumi Ōtsuki > PROFILE

 9:25-9:50

World Heritage Site Ayutthaya's Flood Loss Estimation as Risk Management, and Lectures as a Feedback of Research Activities
Tetsuo Mizuta > PROFILE

 9:50-10:15

Research of visualized environment for historical events
Shin Ōno > PROFILE

10:25-10:50

Handling of Non-film Materials in the Makino Mamoru Collection of C.V. Starr East Asian Library at Columbia University
Atsuko Ōya > PROFILE

10:50-11:15

Extraction of Emotional Information from Music for Virtual Dance Collaboration System
Seiya Tsuruta > PROFILE

11:15-11:40

Survey of Shunga and Ehon in Overseas Collections
Aki Ishigami > PROFILE

■ DAY 2 PM

13:10-13:50

Japanese Collections in Europe: Their role within the Japanese Studies and their significance for the Formation of the Image of Japan
Josef Kreiner > PROFILE

13:50-14:20

MANU-
SCRIPT 
Collections of Japanese Arts in the Czech Republic and their Digitation
Helena Honcoopová > PROFILE

14:20-14:50

The Japanese Print Access and Documentation Project (JPADP) at the Museum of Fine Arts, Boston (MFA)
Sarah E. Thompson > PROFILE
Abraham Schroeder > PROFILE

14:50-15:20

MANU-
SCRIPT 
Taking the British Museum to the World: Collections Online
Rosina Buckland > PROFILE