ARC-iJAC Activities

On May 22, 2025, a group of students from Northeastern University visited the Art Research Center (ARC) as part of the university's study abroad program Dialogue: Shoshin Japan: Art, Craft, and Design in Kyoto. The group was led by Associate Teaching Professors Jamal Thorne and Kate Terrado of the College of Arts, Media, and Design (CAMD) at Northeastern University.

Besides touring the ARC's building and facilities, discussions and an exchange of ideas on collaboration in digital humanities took place with Dr. Travis Seifman (Associate Professor, Kinugasa Research Organization/ARC Research Manager).

Greetings from the Art Research Center at Ritsumeikan University, Kyoto, Japan.

With the establishment of the International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC) in 2019, the Art Research Center strives to push the internationalization of research activities that transcend disciplines and geographic boundaries. NEWS Spring has arrived at Ritsumeikan University's Kinugasa Campus, where the grounds were for weeks beautifully adorned with cherry blossoms in full bloom. Database News! Over 570 Illustrated Books from the Royal Museums of Art and History (MRAH) Collection, Belgium, have been released The release of over 570 illustrated books, ukiyo-e painting manuals, and other early modern Japanese books marks the latest milestone in the collaboration between the Royal Museums of Art and History (MRAH) and the ARC, which began in 2007. Furthermore, 8,750 ukiyo-e prints previously released are also available through the ARC Japanese Prints (Ukiyo-e) and Paintings Portal Database. >> Read more. MRAH Collection of Illustrated Books: https://www.dh-jac.net/db1/books/search_belgium.php MRAH Collection of Ukiyo-e Prints: https://www.dh-jac.net/db/nishikie/search_belgium.php YOU ARE WARMLY INVITED! To mark Ritsumeikan University's 125th anniversary, the KINUGASA ART VILLAGE FESTIVAL will be held on June 1, at Kinugasa Campus. The ARC will present a Public Exhibition of the William Sturgis Bigelow Shuten-dōji Picture Scrolls, alongside a Conversation between Dr. Shugo Asano (Director, Abeno Harukas Art Museum) and Prof. Ryo Akama on 'Ukiyo-e and its Global Reach.'  >> Read more. Start of Digital-Archiving the Japanese Collection of the Museum Five Continents, Munich In February, Prof. Ryo Akama and his students launched a digital-archiving project of Japanese woodblock prints from the collection of the Museum Five Continents (Museum Fünf Kontinente) in Munich, Germany's first ethnological museum, founded in 1862. Special thanks to Dr. Uta Werlich (Director of the Museum), Prof. Hans B. Thomsen and Dr. Klaus J. Friese for their generous support. An Interview with Dr. Travis Seifman (Associate Research Professor, Kinugasa Research Organization/ARC Research Manager) Dr. Seifman reflects on his role as Research Manager at the ARC, his research on Ryukyuan embassies, as well as the impact of the Center's digital archives and global research collaborations.  >> Read more. New! ART RESEARCH vol. 25-3 is available  ARC Senior Research Fellow Prof. Koichi Hosoi Receives the Kyoto City Art Promotion Award (京都市芸術振興賞) Congratulations to Prof. Koichi Hosoi on receiving this award for his contributions to the arts and talent development in Kyoto. Prof. Hosoi has held key roles at Ritsumeikan University, including Director of the Art Research Center and the Kinugasa Research Organization. >> Read more. Database News! Full-Scale Operation of the ARC Japanese Old Maps Portal Database (ARC古地図ポータルデータベース） The ARC Japanese Old Maps Portal Database offers access to over 5,000 historical maps, including materials from the ARC and major holdings from other institutions such as the University of California, Berkeley. As part of the latest update, 311 Japanese old maps from the British Library have been added, alongside the introduction pyramid (tiled) display function based on the IIIF standard, allowing for smoother and more detailed map viewing. >> Read more. ARC Japanese Old Maps Portal Database: https://www.dh-jac.net/db/maps/search_portal.php Database of Japanese Old Maps in the British Library Collection https://www.dh-jac.net/db/maps/search_BL.php Upcoming Events May 21 (Wed), 2025, 18:30-20:00 JST 147. International ARC Seminar Speaker: Dr. Charlotte HORLYCK (Reader in the History of Korean Art/Head of School of Arts, SOAS University of London) Topic: 'Mining the Archive for Collecting Histories of Korean Art' (held in English) → YouTube livestream available May 28 (Wed), 2025, 18:30-20:00 JST 148. International ARC Seminar 1. Speaker: Dr. Koichi HOSOI (Professor, Department of Social Informatics, ZEN University/Senior Research Fellow, Art Research Center, Ritsumeikan University) 2. Speaker: Yuji MIYATA (Lecturer, History of Content Industry Archives Research Center/ Visiting Researcher, Art Research Center, Ritsumeikan University)  Topic: 'Archiving the History of the Content Industry: Initiatives and Challenges of ZEN University' → YouTube livestream available June 1 (Sun), 2025, 10:00-17:00 JST KINUGASA ART VILLAGE FESTIVAL Kinugasa Campus, Ritsumeikan University, Kyoto Public Exhibition William Sturgis Bigelow Shuten-dōji Picture Scrolls Venue: Art Research Center (ARC) A Conversation on 「浮世絵の国際性」('Ukiyo-e and its Global Reach') Dr. Shugo Asano (Director, Abeno Harukas Art Museum/Director, Yamato Bunkakan Museum) & Prof. Ryo Akama (Director, Art Research Center/College of Letters, Ritsumeikan University) Free entrance.  → Read more. June 11 (Wed), 2025, 18:30-20:00 JST 149. International ARC Seminar Speaker: Osamu YOSHIDA (President, Tsukiji Sugoroku Museum) Topic: 'Playing the Sugoroku of the Forest of Knowledge: Fun, Database, and History' → YouTube livestream available Previous issues: Winter 2024, Autumn 2024, Summer 2024, Spring 2024, Winter 2023, Autumn 2023, Summer 2023, Spring 2023, Winter 2022, Autumn 2022, Summer 2022, Spring 2022, Winter 2021, Autumn 2021, Summer 2021, Spring 2021, Winter 2020, Autumn 2020, Summer 2020, Spring 2020 view this email in your browser Copyright © 2024 Art Research Center, Ritsumeikan University. All rights reserved. Our mailing address is: 56-1 Toji-in Kitamachi, Kita-ku, Kyoto 603-8577 JAPAN Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.

Background:
Originally from New York, Travis Seifman completed MA degrees in Japanese Studies at SOAS University of London and in Art History at the University of Hawaiʻi at Mānoa before earning his PhD in History at the University of California, Santa Barbara. Before joining the ARC, he worked as a postdoctoral Project Researcher at the University of Tokyo Historiographical Institute, where he contributed to the production of an English-language translation of the Ishin Shiryō Kōyō Database. Travis Seifman specializes in Okinawan Studies, and researches in particular the embassies dispatched by the Okinawan kingdom of Lūchū (Ryūkyū) to Edo in the 17th to 19th centuries. Following the 2019 fire at Sui gusuku (Shuri castle), the former Luchuan royal palace, he began to explore the topic of restoration of the palace in the 1980s-90s and again today, and related issues of cultural heritage.

Dr. Seifman, thank you very much for your time today. What are some of the main responsibilities in your current role as a Research Manager at the ARC?

Seifman: My responsibilities are fairly wide-ranging. I help facilitate overseas research collaborations and networks, particularly with individuals and institutions in Europe and North America, acting as one of the main points of contact for our affiliated researchers overseas and working to recruit new research projects and partnerships.

I serve on the Center's Steering Committee as well as the Editorial Committee for the Center's journal, ART RESEARCH. Additionally, I coordinate the International ARC Seminar, our twice-monthly guest lecture series, and assist with a wide range of administrative duties, especially those involving English-language communications.

You first became connected with the ARC during your internship at the Smithsonian. Could you share more about that experience?

Seifman: In the summer of 2011, I spent about ten weeks as a digitization intern at the Freer-Sackler Galleries (now the National Museum of Asian Art), at the Smithsonian Institution, where I had the opportunity to experience the ARC's Digital Archiving Model firsthand. Along with two fellow interns, and under the guidance of Dr. Ryoko Matsuba, we photographed some 2,000 Japanese woodblock-printed and other illustrated books from the 17th to 20th centuries.

Handling and paging through these many volumes--far more than I had ever encountered before or since--gave me an invaluable, hands-on understanding and foundational knowledge of the many variations in paper, pigments, binding styles, book sizes and formats, genres of contents, and artistic styles represented in those books.

It was also through this internship that I first met Prof. Akama, Dr. Matsuba, and Dr. Ellis Tinios, learning a great deal from them about Edo-period books and publishing, and establishing personal and professional networks that have continued to this day.

From your perspective, what makes the ARC's approach to digital archiving unique or impactful in the global context?

Seifman: I think what makes the ARC's digital archives truly unique and impactful is their scale, comprehensiveness, and global accessibility.

First, the archives are extensive. With more than 880,000 prints and paintings, and more than 600,000 early Japanese books currently contained in the ARC's databases, researchers can perform large-scale comparative analyses in ways never before possible. Dr. Ellis Tinios' work on various developments in Japanese printing and publishing through exploring the numerous variations amongst editions or printings of books by a given author or artist, Shiori Totsuka's study of changes over time in prints by artists of the Katsukawa school, and Prof. Yumi Takenaka's work exploring the representation of domestic spaces in ukiyo-e across a large number of prints and books, are but a few examples of this.

Second, the databases are comprehensive. The ARC's approach emphasizes the digital archiving of entire collections whenever possible, rather than selectively targeting only those works considered, by whatever criteria, the most pertinent for art historical research. As a result, the databases encompass a great diversity of works relevant to a wide range of research themes--not only more traditional "Japanese art history" themes like Kabuki, landscapes, or poetry, but also urban history, history of mapping and geography, history of agriculture, medicine, fashion, ritual and ceremony, and so on.

Third, the databases include works from collections around the globe, providing access to a far wider range of materials than ever before. This has surely transformed how art history and cultural studies research can be conducted, and our conception of the field itself--enabling scholars to discover and compare works across institutions in disparate locations, without the need for international travel, or hunting down rare exhibit catalogs.

In my research on Hokusai's "Eight Views of Ryukyu" landscape series, I was fortunate to have easy online access to high-resolution digital images of both the full set of Hokusai's eight landscape prints and of every page of the Chinese volume Liúqiúguó zhìlüè (J: Ryūkyū-koku shiryaku), which he used as a basis for his images. Comparing the images side by side on my computer screen, and zooming in on details in each image allowed me to discover connections and differences I might have otherwise missed.

Further, a simple keyword search for "Ryukyu" or other keywords in the ARC databases revealed numerous related works from collections worldwide--including private collections--which I might never have known otherwise. One such example is a surimono (a woodblock print produced not for large-scale commercial sale but in a small print run for members of a given poetry circle) from 1833 depicting a pair of Ryukyuan (Okinawan) individuals, accompanied by poetry likely composed by a literary circle. One copy is owned by the British Museum. In my limited personal experience, I believe this is the first Ryukyu-related surimono I have encountered, and, while I still have much to learn about it, it provides an intriguing starting point, or further data point so to speak, for understanding how widespread interest in Ryukyu was among Japanese cultural elites, and the general public at that time.

Could you tell us what initially sparked your interest in Japanese studies--particularly Japanese art history?

Seifman: I entered college initially planning to major in the hard sciences, and I began taking Japanese language and history courses on the side because of a personal interest in anime, video games, and my imagined ideas of traditional Japanese culture. However, a semester abroad in Tokyo, which I thought would be a once-in-a-lifetime adventure, solidified my interest in pursuing Japanese Studies further.

My interest in art history specifically developed after I returned from that study abroad semester in Japan and took a few courses in Asian art history to complete a major in East Asian Studies. I was enthralled by the way images and objects can function as touchpoints, or windows, into a sense of a given time, place, or culture. It is a cliché to say that a picture is worth a thousand words, but images and objects can indeed provide a sense of the look, the feel, of a time and place in ways that words alone cannot. They allow us to travel the world, and travel through time, in a sense, engaging somewhat more directly with the visual and material culture-- the actual objects themselves--of different places and times.

Looking ahead, can you share some of the key plans and goals of the ARC for the new fiscal year?

Seifman: The Center's accreditation as the International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC) has recently been renewed by the Ministry of Education for an additional six years, and we have completed the review and selection of our latest round of International Joint Research Projects with Research Funds. I am excited to welcome our new affiliated researchers--both online and in person--as their projects begin.

This year's projects include a survey of objects in European collections related to Gagaku, an ancient form of imperial court music; the digitization of photographs by pioneering female photographer Akahori Masuko; and research on Kabuki playwright Kawatake Mokuami, among others.

We are also continuing to expand our international digitization efforts, including new or expanded collaborations with the University of California, Berkeley (UCB); the University of California, Los Angeles (UCLA); the Five Continents Museum (Museum Fünf Kontinente) in Munich; the Museum of Decorative Arts (Musée des Arts Décoratifs) in Paris; and others, which will further diversify the materials in our databases and improve access to important global collections.

Further, we are actively preparing for the launch of a new faculty at Ritsumeikan University, tentatively named the School of Art and Design, set to open in 2026. Prof. Ryo Akama, Director of the ARC, will serve as the Dean of this new School.

We are also looking forward to a variety of events this summer celebrating the 125th anniversary of the establishment in 1900 of the Kyoto Law School, which was later renamed Ritsumeikan University.

Finally, could you tell us about your current research projects and what you find most rewarding or meaningful about working at the intersection of digital humanities and Japanese cultural heritage?

Seifman: I am currently in the early stages of revising my PhD dissertation, completed in 2019, into an academic monograph--the first in English to examine in detail the seventeen embassies dispatched by the Okinawan kingdom of Ryukyu to Edo, the seat of the Tokugawa shogunate. The book aims to shed light on this under-discussed aspect of early modern Japanese foreign interactions while also contributing to the broader field of research on diplomatic and political rituals in the early modern world. Although my research methods are largely analog, the project has benefited immeasurably from the availability of digitized artworks and historical documents, as well as from digital tools that have aided me in deciphering kuzushiji paleography.

I am excited for the continued expansion of digital archives, making Japanese historical documents, artworks, and cultural resources held in collections around the globe not only more easily available but in many cases discoverable in the first place. When researchers can come across, and learn of a given item, whether in an online exhibition or database or otherwise, the possibilities for discoveries expand in ways we may not predict.

In particular, I am enthusiastic about advances in kuzushiji paleography deciphering tools, such as those integrated into the ARC system. These technologies make full-text searchable transcriptions--honkoku--more widely available, expanding the scope of research. While at the University of Tokyo, I photographed a number of documents detailing ceremonies in which envoys from the Ryukyu Kingdom were received in audience at Edo castle. I look forward to working with those texts in the ARC system, using the AI kuzushiji tools to help me with transcription and uncovering new information, such as the seating arrangements, the gifts exchanged, and other details which can provide new insights into how the rituals were structured, and to what political or cultural effect.

Our faculty members and other affiliated researchers here at the ARC have also been working on exciting projects using 3D modelling and other digital technologies to recreate historical spaces and even soundscapes virtually. Digital 3D models of the interiors of Nijō Castle in Kyoto--as created by Prof. Satoshi Tanaka--can be beneficial for visualizing, in three-dimensional space and full color, some sense of what those ceremonial meetings looked and felt like. Similarly, computer models of how the music and other sounds from parades and processions travel through space, and how they are experienced by paradegoers and participants, such as in research by Prof. Takanobu Nishiura, offer fascinating insights that can be applied to rituals like the Ryukyuan embassy processions I study.

I continue to be regularly amazed by how Digital Humanities is pushing the boundaries of what is possible in cultural and historical research. The fusion of arts/humanities and digital technologies offers seemingly endless new avenues for exploration and understanding.

(This interview was conducted by Yinzi Emily Li)

The 14th Forum for Knowledge, Arts, and Culture in Digital Humanities will be held on Saturday, March 22, 2025.

We are now accepting →registrations to join the event as a participant. This event also serves as a conference for young researchers of the ARC-iJAC.

About the Forum for Knowledge, Arts, and Culture in Digital Humanities

 Along with the rapid development of the digital and information environment in recent years, we are seeing more and more cross-disciplinary research in academic fields with an awareness of "information" and "digital". This trend is gaining momentum in higher education and research activities as well, and educational programs and course activities related to this trend are being enhanced.

　The need for opportunities for academic exchange among undergraduate and graduate students and young researchers studying in such programs under new research themes in line with the times is ever increasing.

　For this reason, the Forum for Knowledge, Arts, and Culture in Digital Humanities was established in 2011 as a place for presentation and exchange, with a focus on graduate students and young researchers interested in information and knowledge research in arts, culture, and other related fields, and 13 research meetings have been held to date.

　This meeting is positioned as a place where participants can mutually discover new research themes and methods through human exchange in different fields, and we also welcome exploratory and adventurous presentations that are slightly different from conventional conference presentations.

■ Date: March 22 (Sat), 2025, from 12:30 noon JST

■ Hybrid format
Venue: Future Plaza Conferece Room, Ritsumeikan University Osaka Ibaraki Campus
(https://www.ritsumei.ac.jp/futureplaza/conferencehall/)

Online via ZOOM.

■ Program & presentation abstracts: Please click →here (in Japanese).

■ Register as a participant: Please register via →Google Forms. (Deadline: Wednesday, March 19, 2025)

※ There is no participation fee.

※A get-together is planned to be held after the research presentations (face-to-face only). We would like to make it a place for exchange beyond the boundaries of universities and research fields, so please feel free to join us. The venue, participation fee, etc. will be announced shortly.

Organizer: The Forum for Knowledge, Arts, and Culture in Digital Humanities

Facilitators: Ryo Akama (Ritsumeikan University), Mamiko Sakata (Doshisha University), Naoki Takubo (Kindai University), Takehiko Murakawa (Wakayama University), Ryosuke Yamanishi (Kansai University)

Co-organizers: The Kansai Division of the Art Documentation Society and the Kansai Division of the Japan Society of Information and Knowledge

In cooperation with: International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC), Art Research Center, Ritsumeikan University.

Inquiries: kacimeeting+2025■gmail.com (please change "■" to "@")

■ Related links:

→Japan Art Documentation Society

The article in the Ritsumeikan University's research magazine 'Radiant' introduced the international joint research projects, led by Prof. Ryo Akama, Director of ARC, to create a global consortium focused on preserving and researching Japanese cultural materials. The projects aim to build upon existing collaborations with institutions across North America, Europe, and Japan to strengthen and expand these networks worldwide.

For more details, click here ＜External website

https://en.ritsumei.ac.jp/research/radiant/global/impact/?id=7

The Art Research Center (ARC) at Ritsumeikan University is pleased to announce the full-scale operation of the ARC Japanese Old Maps Portal Database. This database includes not only valuable historical maps from the ARC's collection but also major collections from institutions such as the University of California, Berkeley, with a total of over 5,000 old maps available.

As part of this update, 311 old maps of Japan from the British Library have been added to the database. In conjunction with this, we have introduced a pyramid (tiled) display function based on the IIIF (International Image Interoperability Framework) standard, allowing users to view maps more smoothly.

ARC Japanese Old Maps Portal Database
https://www.dh-jac.net/db/maps/search_portal.php

Database of Japanese Old Maps in the British Library Collection
https://www.dh-jac.net/db/maps/search_BL.php

Moving forward, we plan to gradually implement this pyramid display function for old maps already added to this database previously. Furthermore, we will continue to expand the database by incorporating other collections.

To facilitate accessibility and utilization, we will also work towards integrating this database with external platforms such as Japan Search, ensuring that a wider audience can benefit from this resource. This will begin with the British Library maps becoming available on Japan Search by the end of March 2025 (tentative).

We hope you find this database useful for your research.

Day 1: Friday, February 21, 10:00 -16:50 JST (tentative)
Day 2: Saturday, February 22, 10:00 -17:00 JST (tentative)

Hybrid event (ARC & online via Zoom)

Presentations marked with ★ are available via YouTube live stream.

Organised by: International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC) & Digital Humanities Center for Japanese Arts and Cultures "Program for Supporting Research Center Formation", Ritsumeikan University

Click here for the program.

Day 1: Friday, February 21, 10:00 -16:50 JST (tentative)
Day 2: Saturday, February 22, 10:00 -17:00 JST (tentative)

Hybrid event (ARC & online via Zoom)

Presentations marked with ★ are available via YouTube live stream.

Organised by: International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC) & Digital Humanities Center for Japanese Arts and Cultures "Program for Supporting Research Center Formation", Ritsumeikan University

Click here for the program.

A special session of the International ARC Seminar under the theme of "The online publication of the ARC's Japanese old maps, including the British Library Map Collection" will be held as a webinar on Wednesday, February 19, 18:00-20:00 JST.

About this seminar:
Since the 2000s, historical GIS, which combines historical geography and geographic information science, has been rapidly developing in Japan and around the world as part of digital humanities. However, most of the geospatial data in Japan, such as modern maps and ledgers, has not been digitized and is not available in GIS format. In order to develop historical GIS, it is essential to digitize paper-based geospatial data, convert it to GIS format, and make it publicly available. Furthermore, in order to make it available to people who are not GIS experts, such as museum curators and educators, it is necessary to provide an easy-to-use framework for online searching and GIS analysis.

This seminar will introduce the development of 1) the 'ARC Map Portal Database', which is a platform for old Japanese maps, 2) the Japanese version of "Map Warper," and 3) "Old Japanese Maps Online." With these components, users will be able to search for and select old maps, share geo-referenced maps, and create detailed maps on a variety of topics.

In order to create the ARC Map Portal Database, we will digitize old maps held by institutions in Japan and overseas, make them publicly available, and publish them on Japan Search. The maps will be standardized with bilingual metadata in Japanese and English to facilitate searching. Map Warper in Japan will make the maps available for non-commercial use, and will introduce crowdsourced georeferencing to improve the accuracy of the maps.

In this seminar, we will report on the digitization and publication of nearly 400 old Japanese maps held by the British Library, which has one of the world's largest map collections, and we will hear about the content from Dr Xia-Kang Ziyi of Oxford University.

The program is as follows:

Moderator: Dr. Travis Seifman (Associate Professor, Kinugasa Research Organization/ARC Research Manager)

18:00-18:45
Speaker: Dr. Xia-Kang Ziyi (Faculty of Asian and Middle Eastern Studies, University of Oxford)
Topic: "Pre-modern Japanese Maps at the British Library: Past and Present"

18:45-19:15
Speaker: Prof. Yano Keiji (Geography Department, College of Letters, Ritsumeikan University/ARC Deputy Director)
Topic: "Online Construction of Japanese Old Maps"

19:15-20:00 Q&A, Demonstration

About the speakers:

Dr. Xia-Kang Ziyi (Faculty of Asian and Middle Eastern Studies, University of Oxford)
Xia-Kang recently completed her DPhil in Oriental Studies at the University of Oxford, and her thesis examines the agency of the Tsushima domain in Tokugawa Japan-Chosŏn Korea relations. She is interested in diplomacy and cross-cultural interactions in early modern East Asia, as well as the political authorities of Tokugawa Japan. In early 2023, Xia-Kang worked with Tom Harper, the Curator of Antiquarian Mapping of the British Library, on the doctoral placement project 'Pre-1900 Japanese-produced maps in the British Library'. She now teaches at Oxford.

Prof. Keiji Yano (Geography Department and Art Research, Ritsumeikan University)
Keiji Yano (B.Sc., M.Sc., Ph.D. (D.Sc.)) has been Professor of Human Geography and Geographic Information Science at the Ritsumeikan University, Kyoto, Japan since April 2002. Before joining Ritsumeikan in 1992, he was at the Tokyo Metropolitan University as Assistant Professor of Geography, where he also earned his Master and PhD degrees in Geography. His professional roles include being Member of Science Council of Japan (https://www.scj.go.jp/en/index.html), The president of the Human Geographical Society of Japan (http://hgsj.org/english/), the Councilor of the Association of Japanese Geographers(https://www.ajg.or.jp/en/), and the past president of GIS Association of Japan (https://www.gisa-japan.org/english/index.html). His research interests are grouped around the use of Geographical Information Systems and quantitative methods in urban analysis. This includes information integration within GIS, geodemographics, geodesign, spatial interaction models, urban modelling, virtual cities, digital humanities, history of quantitative geography, and history of GIS.

Date: Wednesday, February 19, 2025, 18:00 - 20:00 JST

Participation: online via Zoom, free of charge (affiliated parties only, no reservation required)

*This webinar is open to everyone, and non-ARC members are invited to participate via YouTube.