お知らせ

The Art Research Center (ARC) at Ritsumeikan University is pleased to announce the full-scale operation of the ARC Japanese Old Maps Portal Database. This database includes not only valuable historical maps from the ARC's collection but also major collections from institutions such as the University of California, Berkeley, with a total of over 5,000 old maps available.

As part of this update, 311 old maps of Japan from the British Library have been added to the database. In conjunction with this, we have introduced a pyramid (tiled) display function based on the IIIF (International Image Interoperability Framework) standard, allowing users to view maps more smoothly.

ARC Japanese Old Maps Portal Database
https://www.dh-jac.net/db/maps/search_portal.php

Database of Japanese Old Maps in the British Library Collection
https://www.dh-jac.net/db/maps/search_BL.php

Moving forward, we plan to gradually implement this pyramid display function for old maps already added to this database previously. Furthermore, we will continue to expand the database by incorporating other collections.

To facilitate accessibility and utilization, we will also work towards integrating this database with external platforms such as Japan Search, ensuring that a wider audience can benefit from this resource. This will begin with the British Library maps becoming available on Japan Search by the end of March 2025 (tentative).

We hope you find this database useful for your research.

The Art Research Center (ARC) at Ritsumeikan University is pleased to announce that illustrated books, ukiyo-e painting manuals, and other early modern Japanese books in the collection of the Royal Museums of Art and History of Belgium (MRAH) have been made available online, complete with images for each page:
https://www.dh-jac.net/db1/books/search_belgium.php.

These works can also be found by searching for "MRAH" in the "Owner" field in the ARC Early Japanese Books Portal Database: https://www.dh-jac.net/db1/books/search_portal.php.

Takagi Yoko previously conducted a survey of the Museums' collection of early modern Japanese books, and published a simple listing of works in the collection in: "Berugii oritsu bijutsu rekishi hakubutsukan shozo wakan kosho ni tsuite," Bunka joshi daigaku kiyo: jinbun / shakai kagaku kenkyu, vol. 9 (2001 Jan), pp. 187-206. Click here to view or download the article: https://bunka.repo.nii.ac.jp/records/686.

The ARC has collaborated with the MRAH to digitize its extensive ukiyo-e collection since 2007, making 8,750 ukiyo-e prints accessible through the ARC Japanese Prints (Ukiyo-e) and Paintings Portal Database: https://www.dh-jac.net/db/nishikie/search_belgium.php.

Following the digitization of ukiyo-e prints, the digitization of early modern books also began, although the project faced delays due to the COVID-19 pandemic.

The project was restarted in 2023, and 572 books, with images for each page, have now been released online in a single batch.

Please note: While the size of the images made publicly available in the ARC databases are provided at a limited resolution, researchers seeking higher-resolution images of these works are advised to contact the Image Studio at the Royal Museums of Art and History of Belgium directly.

立命館大学アート・リサーチセンター　において、社会人スタッフを募集します。

勤務先：立命館大学アート・リサーチセンター

住所：〒603-8577　京都市北区等持院北町56-1

TEL：075-466-3410

メールアドレス：r-darc@st.ritsumei.ac.jp

ウェブサイト：https://www.arc.ritsumei.ac.jp

仕事内容：日本国内、海外(米国中心)での文化財デジタル化作業(デジタル撮影、データ入力等)　年数回の長期(2～3ヶ月)海外出張あり。

雇用形態：パートタイム・フルタイム勤務スタッフ（時間雇用）

雇用期間：応相談(2025年2月～)

勤務日：月曜から金曜（勤務日数応相談）※海外派遣時は現地カレンダーで週5日勤務(土日祝はお休み)

勤務時間：9時00分～18時のうち4～8時間(6時間以上勤務の場合 休憩1時間)、週20～40時間(応相談)

休暇・休日：土・日・祝日(年末年始休暇あり)

応募資格：

・立命館大学アート・リサーチセンターの活動に理解があり、積極的に取り組める方

・基本的なパソコン操作、一眼レフカメラ、デジタルカメラの撮影経験がある方を優先

・業務に丁寧に取り組める方

・継続的に勤務が可能な方

勤務地：首都圏・近畿圏・海外（米国）

給与：時給1,100円以上（1,100円～1,500円）技能レベルに合わせて査定します。※海外派遣時には、別途手当があります。

待遇：

・勤務地に応じた出張旅費支給

・勤務状況に応じて私学共済に加入

・服装自由

応募方法：メールにて履歴書(写真付き)及び職務経歴書を添付のうえ、ご応募ください。選考後、面接日をご連絡いたします。

メールはこちらへ

海外出張先では、博物館、美術館、大学図書館に所蔵される日本文化財のデジタル化業務を担います。貴重な文化財に直接触れられる仕事です。渡航前に日本での勤務に慣れ、技術を習得することが可能です。学芸員を目指される方、日本文化財に興味のある方、国際的な活動に興味のある方は、ぜひエントリーしてください。

There is currently a problem with some of the databases.

・Japanese Prints (Ukiyo-e) and Paintings Portal Database
・Event-type Pictures Portal Database
・Chronology Article Database
・Name of Person Database
・Chronology of Performing Art and Cinema
・Biographical and Literary Works Database

We are currently working to resolve the problem, but it is unclear when this will be resolved.
We apologize for the inconvenience, but please wait for a while.

Thank you for your kind understanding.

Nearly 1,850 picture postcards, bromides, etc. from the Kaigetsu Shooku collection have been digitized and made publicly available online. The images, chiefly depicting Kabuki actors, are from the late Meiji through Showa periods.

Kaigetsu Shooku picture postcards database:
https://www.dh-jac.net/db/butai-photo/search_kgt.php

The images can also be viewed via the Special Event Photographs portal site:
https://www.dh-jac.net/db/butai-photo/search_portal.php

This collection focuses primarily on photographs of individual actors. One can search by the actor's name and ordinal numbers, play titles, date of the photograph, and other search terms.

This is an important collection, containing not only typical Kabuki picture postcards, but also picture postcards with illustrations of actors' faces, actors from smaller (koshibai) theatres, the fukuro wrappers that picture postcards or bromides were originally sold in (some featuring the name of the shop), and other materials.

A specially made album, "Hyakumenso ehagakijo," collecting one hundred images from the late Meiji period to the early Taisho period, is also included in this collection. Made by the Ginza Kamigata-ya, it consists of picture postcards of enlarged images of actors' faces, and includes actresses from the Imperial Theatre (Teikoku gekijo), Shinpa actors, and others alongside those from Kabuki.

Accurate metadata will continue to be added for this collection going forward. Please let us know if you notice any errors or missing information. Thank you very much for your cooperation.

第４回展覧会「ユニークな忠臣蔵浮世絵あれこれ」がオープンになりました。

　これまで、赤穂市では、アート・リサーチセンターの電子展示システムを活用して、3回のデジタル展覧会を実施してきました。第四回目となる今回は、役者絵・芝居絵・物語絵・武者絵にとどまらない、だれもが知っている物語であればこそ浮世絵師たちが豊かな発想力をもって工夫を凝らしたユニークな68作品を、さまざまな切り口で紹介し、解説します

　実際の芝居の豪華な演出を反映させたものや、『忠臣蔵』全段を１つの画面に巧みに描いたもの、洋風表現を取り入れたもの、読み解くのに相当の知識量が求められる見立絵、見れば思わず吹き出してしまいそうな戯画や擬人絵、子どもに限らず大人も十分楽しめるおもちゃ絵など、その多彩な作品世界はまさに「忠臣蔵文化」の広がりを具現化しているといっても過言ではありません。

　浮世絵師が趣向を凝らし、それを庶民が喜んで享受した多種多様な忠臣蔵浮世絵をどうぞご堪能ください。

赤穂市「忠臣蔵」浮世絵デジタル展示室
https://www.arc.ritsumei.ac.jp/j/report/v_museum/
赤穂市「忠臣蔵」浮世絵データベース
https://www.dh-jac.net/db/nishikie/search_ako.php
赤穂市HPからの入り口
https://www.city.ako.lg.jp/edu/shougai/akoukiyoedatebase.html

Dates: November 20 (Weds) - 22 (Fri), 2014

Time: 10:00-17:00

Location: Multi-Purpose Room, Art Research Center, Ritsumeikan University (Kinugasa campus)

No entry fee.

Organizers: Kyoto Street Culture Archive: Memories of the Pop Culture Featuring the

Streets, and their Visualization (Digital Humanities Center for Japanese Arts and Cultures); "Project for the Construction of an Archive of Non-Film Materials Related to Showa period Movie theatre Culture" (Kakenhi C); Art Research Center, Ritsumeikan University.

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In the early Showa period, as motion pictures moved from silent films to "talkies," hand-drawn posters ornamented the interiors of Kyoto cinemas, advertising films currently being shown, and those upcoming. New films were largely being released weekly at that time, and it is easy to imagine that the number of posters would match this.

In this exhibit, we are featuring posters produced at the Shochiku corporation's Ofuna studios for display at the Shochiku-za, Ebisu-za, and other Shochiku-affiliated movie theatres. These include posters illustrated by Takeda Kosei (Ihachiro), who was famous at the time in the world of Kabuki for the posters and signboards he produced for Kyoto's Minami-za Kabuki theatre. Please enjoy this world of hand-drawn movie posters, designed with compositions, touches, and typefaces selected to suit each film. The exhibit also includes maps and photographs of Kyoto cinemas from the Showa 30s-40s (1950s-1970s), as well as photographic signboards, offering a nostalgic glimpse into the Kyoto of that time.

The hand-drawn posters in this exhibit are held by the Kyoto cinema posters production studio Takematsu Gabo and were displayed in Shochiku-affiliated cinemas in central Kyoto around 1928 to 1942. Similar posters were presumably displayed at other cinemas, but only these are known to survive, making them exceptionally important resources for knowing the environments of cinemas at that time. The studio's collection includes roughly 800 posters, all of which were made for Shochiku-affiliated cinemas. This three-day exhibit features roughly 60 posters made at the Shochiku Ofuna studios in 1936-1937, as well as original posters from live theatre venues and Kyoto Shochiku-affiliated cinemas' match announcements, for comparison.

Kiyomoto-bushi is a style of narrative music traditionally performed as accompaniment for Kabuki theater. Alongside Tokiwazu- and Tomimoto-bushi, it belongs to the Bungo-bushi lineage of joruri narrative music and emerged out of Tomimoto-bushi as an independent style unto itself in the Bunka period (1804-1818). Known for its lighthearted and sophisticated storytelling, Kiyomoto-bushi has gained widespread popularity and includes numerous iconic pieces for Kabuki dance.

In addition to Kiyomoto-bushi Shohon, the collection also includes Shohon for Nagauta, Gidayu-bushi, and Tomimoto-bushi, making a total of 8,455 lyric booklets (Shohon) now available for viewing.

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Kunitachi College of Music Library Takeuchi Dokei Collection--Japanese Lyric Booklets (Shohon) Viewing System:
https://www.dh-jac.net/db1/books/search_kunishohon.php?lang=ja

ARC Virtual Institute The World of the Takeuchi Dokei Collection:
https://www.arc.ritsumei.ac.jp/lib/vm/kunitake/

This course will be held online, using the ARC's AI Kuzushiji Transcription Support System and databases of early Japanese books, ukiyo-e, and old documents. Users can practice reading kuzushiji anytime, anywhere, and at their own pace. Japanese Studies researchers who wish to learn to decipher kuzushiji are encouraged to apply, whether they are based in Japan or overseas.

The key features of this course include:

1. Receiving corrections and guidance for your transcriptions from expert tutors

2. The usage of the ARC's AI system to suggest correct transcriptions

3. The ability to select works from the ARC's extensive online databases on which to practice one's skills

4. The ability to upload and work with materials not already in the ARC databases

Differing from one-off courses or systems designed simply for transcription itself, the ARC Transcription System and Training Course is designed to allow researchers to practice their skills and develop their abilities at their own pace, working with the materials they choose.

We welcome applications from beginners as well as intermediate-level participants.

The miwo system, which uses OCR to transcribe text one full page at a time, is also integrated into the ARC system. Transcription projects can be advanced quickly by using the ARC's system to review and correct transcriptions produced by miwo.
Researchers engaged in projects transcribing a particular set of materials, whether working individually or as a research group, are also encouraged to apply.

Participation is free of charge. This training course is supported by the Consortium for Global Japanese Studies FY 2024.

If you would like to apply to participate, please submit the form linked below.
↓↓↓
Registration Form

Application deadline: Friday, Oct 4, 2024 (12pm Japan Standard Time)

Course Details:

Dates: Oct 14, 2024 - March 15, 2025

Course will be conducted in Japanese. (Japanese language ability is required for learning to transcribe Japanese paleographic texts.)

Modes of participation:

1. Researchers from beginner to intermediate level seeking to decipher works written in kuzushiji. (Participants will receive guidance and corrections from expert tutors; max. 25 participants)

2. Individuals or research groups seeking to use the miwo and ARC transcription support systems to advance their own transcription projects. (Guidance or corrections from expert tutors is not provided.)

We request those looking to only transcribe small sections for the purposes of inserting quotations into a doctoral dissertation or other academic papers to please refrain from applying.

Course Schedule:

Oct 14 (tentative): Participants will be informed of acceptance into the program.

Oct 17 (20:00 JST), Oct 18 (9:00 JST): Overview and introduction to the course and transcription systems (held online; live-streaming at those times, or on-demand afterward)

Nov / Dec : Lectures on early Japanese books (some lectures in English, some in Japanese), and training sessions for the transcription systems (held in Japanese)

Late Mar: Closing meeting.

For questions, please contact:

Office of the International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC)
Art Research Center (ARC), Ritsumeikan University
E-mail: r-darc@st.ritsumei.ac.jp
Tel.: +81 75-465-8476

The Art Research Center (ARC), Ritsumeikan University, is pleased to announce that it offers access to the National Diet Library's Historical Recordings Collection (Rekion) as one of its partner institutions.

If you would like to listen to the recordings of the National Diet Library's Historical Recordings Collection (Rekion) at the ARC, please refer to the following link for more information on the application process:

https://www.arc.ritsumei.ac.jp/e/application/

Website of the National Diet Library Historical Recordings Collection (Rekion): https://rekion.dl.ndl.go.jp/en/