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[イベント情報]
November 20, 2024(Wed)

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Dates: November 20 (Weds) - 22 (Fri), 2014

Time: 10:00-17:00

Location: Multi-Purpose Room, Art Research Center, Ritsumeikan University (Kinugasa campus)

No entry fee.

Organizers: Kyoto Street Culture Archive: Memories of the Pop Culture Featuring the

Streets, and their Visualization (Digital Humanities Center for Japanese Arts and Cultures); "Project for the Construction of an Archive of Non-Film Materials Related to Showa period Movie theatre Culture" (Kakenhi C); Art Research Center, Ritsumeikan University.


In the early Showa period, as motion pictures moved from silent films to "talkies," hand-drawn posters ornamented the interiors of Kyoto cinemas, advertising films currently being shown, and those upcoming. New films were largely being released weekly at that time, and it is easy to imagine that the number of posters would match this.

In this exhibit, we are featuring posters produced at the Shochiku corporation's Ofuna studios for display at the Shochiku-za, Ebisu-za, and other Shochiku-affiliated movie theatres. These include posters illustrated by Takeda Kosei (Ihachiro), who was famous at the time in the world of Kabuki for the posters and signboards he produced for Kyoto's Minami-za Kabuki theatre. Please enjoy this world of hand-drawn movie posters, designed with compositions, touches, and typefaces selected to suit each film. The exhibit also includes maps and photographs of Kyoto cinemas from the Showa 30s-40s (1950s-1970s), as well as photographic signboards, offering a nostalgic glimpse into the Kyoto of that time.

The hand-drawn posters in this exhibit are held by the Kyoto cinema posters production studio Takematsu Gabo and were displayed in Shochiku-affiliated cinemas in central Kyoto around 1928 to 1942. Similar posters were presumably displayed at other cinemas, but only these are known to survive, making them exceptionally important resources for knowing the environments of cinemas at that time. The studio's collection includes roughly 800 posters, all of which were made for Shochiku-affiliated cinemas. This three-day exhibit features roughly 60 posters made at the Shochiku Ofuna studios in 1936-1937, as well as original posters from live theatre venues and Kyoto Shochiku-affiliated cinemas' match announcements, for comparison.

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The Ritsumeikan University Saturday Seminar Series will be planned by the Art Research Center (ARC), Ritsumeikan University, in the month of November 2024.

3416th Session (Planning: Art Research Center, Ritsumeikan University)

Date: November 16 (Sat), 2024, 10:00-11:30 JST
Venue: Suekawa Memorial Hall, Kinugasa Campus, Ritsumeikan University, Kyoto (online streaming available via ZOOM)

Topic: 仮想空間における文化交流とデジタルアーカイブの活用例 (held in Japanese)

Speaker: Yuzu MINASE (Representative Director, Plepla General Incorporated Association)

Participation is free of charge. Advance registration is required.
 >>Register here.


 >>Website of the Ritsumeikan University Saturday Seminar Series

The 140th International ARC Seminar will be held as a webinar on Wednesday, November 13, from 18:00 JST.

The program is as follows:

Speaker: Satoru NAKAMURA (Assistant Professor, Historiographical Institute, The University of Tokyo)

Topic: Efforts to Support Historical Compilation and Research at the Historiographical Institute of the University of Tokyo (「東京大学史料編纂所における史料編纂・歴史研究支援に関する取り組み」)


Date: Wednesday, November 13, 18:00 - 19:30 JST

Participation: online via Zoom, free of charge (affiliated parties only, no reservation required)

*This webinar is open to everyone, and non-ARC members are invited to participate via YouTube.

As part of the International ARC Seminar series, a special seminar will be held to mark the start of the 'FY 2024 Training Course to Decipher Japanese Cursive Script (Kuzushiji) with the ARC AI Transcription Support System.'

The program is as follows:

Speaker: Ellis TINIOS (Honorary Lecturer, University of Leeds, United Kingdom and ARC Visiting Collaborative Researcher)

Topic: 'Understanding Edo period books as material objects and bibliographic entities'

This seminar will be held in English.


Date: Wednesday, November 6, 18:00 - 19:30 JST

Participation: online via Zoom, free of charge (affiliated parties only, no reservation required)

*This webinar is open to everyone, and non-ARC members are invited to participate via YouTube.

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The Ritsumeikan University Saturday Seminar Series will be planned by the Art Research Center (ARC), Ritsumeikan University, in the month of November 2024.

3415th Session (Planning: Art Research Center, Ritsumeikan University)

Date: November 2 (Sat), 2024, 10:00-11:30 JST
Venue: Suekawa Memorial Hall, Kinugasa Campus, Ritsumeikan University, Kyoto (online streaming available via ZOOM)

Topic: VR・メタバースによる現実空間の3D保存と教育利用 (held in Japanese)

Speaker: Hiroyuki YAMAUCHI (Associate Research Professor, Kinugasa Research Organization, Ritsumeikan University)

Participation is free of charge. Advance registration is required.
 >>Register here.

Abstract:
 近年、ヘッドマウントディスプレイで体験するVirtual Reality(VR)のコンテンツが社会に普及しつつある。これに、写真測量などで取得した三次元地理情報を組み合わせれば、仮想空間に現実空間を再現でき、実際にその場にいるような雰囲気で散策しながら対象物を観察する擬似体験ができる。さらに、オンラインのメタバースプラットフォームを活用すれば、自作の仮想空間に他者を招いて交流できる。このような特徴から、様々な分野でこの種のVRの教育利用が期待されている。なかでも、実際の場所や事象を対象とする地理教育での有用性は高い。ヘッドマウントディスプレイで体験するVRの地理教材があれば、地理学が伝統的に重視してきた現地での「地理的な見方・考え方」の教育を、距離、費用、社会的制約を超えて教室内で再現できる。さらに仮想空間の特性を活かせば、事象の観察時に崖から飛び降りたり、空を飛んだりするような現実では不可能な自由度の高い学習行動も可能となる。本講演では、自然環境、地誌、災害、文化資源などを実際にVR教材にした事例や、それを用いた教育の実践例と効果について紹介する。


 >>Website of the Ritsumeikan University Saturday Seminar Series

[イベント情報]
October 25, 2024(Fri)

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『立命館土曜講座』提携講座「周辺文化からみる日本美術」

日時:令和6年10月25日、11月1日、11月8日(全3回すべて金曜日)14時00分~15時30分

場所:高槻市立生涯学習センター3階 研修室(高槻市桃園町2-1 市役所・総合センター内)

対象:どなたでも受講できます、居住地・年齢は問いません。

定員:50人(多数抽選)

費用:2,000円(全3回分)

申込:→ お申込みフォーム

明細:https://www.takatsuki-bsj.jp/syougaic/keyakievent/1968/

内容:

♢講師:本多 潤子さん(立命館大学文学部授業担当講師
10月25日(金曜日) 「茶道と日本美術」

現存する美術品には、茶道具として複数の茶人達の手に渡り、時代を超えて珍重されてきた作品群があります。そして日本に喫茶の風習が広まった背景に禅文化との関係が指摘されています。禅宗で厳修される仏教儀礼は日本の茶の湯文化にどのような影響を与えたのか、今回は儀礼空間としての茶の湯を紹介します。

♢講師:加茂 瑞穂さん(立命館大学アートリサーチセンター客員研究員)
11月1日(金曜日) 「服飾文化と日本美術」

浮世絵には江戸時代の日常生活や季節、年中行事などが彩り豊かに描かれます。また、当時の人々の装いも描かれ、人々が何を着ていたのかを知ることができます。本講座では、絵画資料に加えて現在まで残る小袖や型紙などを通して、着ること、そして、装うことに対する当時の人々の好みやこだわりを紹介します。

♢講師:赤間 亮さん(立命館大学文学部教授・立命館大学アート・リサーチセンターセンター長)
11月8日(金曜日) 「演劇と日本美術」

日本の演劇は、絵画として様々に描かれてきました。とくに江戸時代に浮世絵というメディアが発達して、多くの俳優や場面が絵画として複製されました。一方、歌舞伎という演劇は「絵になる」ことを特徴としており、それを踏まえて制作された演目もあります。こうした演劇と美術との関係が如実に現われた事例を紹介しながら、二つの分野が織りなす表現の特徴を鑑賞します。

Co-hosted with the College of Letters, Ritsumeikan University, the 139th International ARC Seminar will be held as a webinar on Wednesday, October 23, from 18:00 JST.

The program is as follows:

Speaker: Her Imperial Highness Princess Akiko of Mikasa (Professor, Institute of Japanese Culture, Kyoto Sangyo University; Visiting Professor, Ritsumeikan University)

Topic: 王室と皇室のものがたり―日英交流の軌跡-(A Tale of the Royal and Imperial Households: The Trajectory of UK-Japan Relations)


Date: Wednesday, October 23, 18:00 - 19:30 JST

Participation: Those concerned will be informed separately by e-mail.

The 138th International ARC Seminar will be held as a webinar on Wednesday, October 2, from 18:00 JST.

The program is as follows:

Speaker: Lani ALDEN (PhD candidate, Japanese Studies, University of California, Berkeley)

Topic: New Approaches to Digital Humanities: Large-Language Models and Large-Scale Tokenized Personal/Public Databases of Primarily Japanese Sources


Date: Wednesday, October 2, 18:00 - 19:30 JST

Participation: online via Zoom, free of charge (affiliated parties only, no reservation required)

*This is a closed event and YouTube livestream is not available.

[イベント情報]
September 10, 2024(Tue)

We are pleased to announce that a symposium will be held as part of the international joint research project 'Creative Collaborations: Salons and Networks in Kyoto and Osaka 1780-1880 (上方文化サロン:人的ネットワークから解き明かす文化創造空間 1780-1880),' supported by UK Research & Innovation (UKRI) and the Japan Society for the Promotion of Science (JSPS).

Date: September 10, 9:00-17:00 & September 11, 9:30-12:00 (BST)
Venue: RG01, SOAS University of London
Organizer (UK): British Museum
Organizer (Japan): International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC), Art Research Center, Ritsumeikan University

This symposium is open to the public and will be held both online and in person. It will be held in Japanese and English. Interpretation will be available during the Q&A session.

Registration: Please contact Sophie Gong at (YGong@britishmuseum.org).

Program (tentative)
Presentations marked with (※) are held in Japanese.

Day 1: September 10, 2024
9:00-9:10 Greetings
Akiko Yano (British Museum)
9:10-11:00 Session 1: Poetry (haiku) circles and artists
Speaker 1
Scott Johnson (Professor Emeritus, Kansai University): Notes on "A Haiku Journey to Osaka"
Speaker 2
Yokoya Ken'ichiro (Otsu City Museum of History): 中嶋来章と俳諧摺物―義仲寺をめぐる絵師と俳壇 (※)
Speaker 3
Ida Taro (Professor, Kindai University):『花月帖』から見える東西のサロンの交流 (※)
Speaker 4
Sugimoto Yoshihisa (Professor, Tohoku University): 渡辺南岳と中村芳中の江戸行―俳諧と絵画の交流 (※)
Discussant: Alfred Haft (British Museum)
11:05-12:55 Session 2: Osaka, a centre of literati culture
Speaker 1
Nakatani Nobuo (Professor Emeritus, Kansai University; online): Kimura Kenkadō and his fellow artists
Speaker 2
Tsukuda Ikki (Issa-an tea master; online): 煎茶サロンの仕掛け・語らいを生む絵画 (※)
Speaker 3
Paul Berry (Professor Emeritus, Kansai University of Foreign Studies): Nature of literati world in Osaka
Speaker 4
Akeo Keizo (Professor, Osaka University of Commerce): 文化サロンとしての蔵屋敷 (※)
Discussant: Andrew Gerstle (Professor Emeritus, SOAS University of London)
13:00-14:00 Break
14:00-14:50 Session 3: Independent paper
Akama Ryō (Professor, Ritsumeikan University): 幕末明治の京都・大阪における文化サロン人物ネットワークのデータアーカイブと分析システム (※)
Commentator: Matsuba Ryoko (Sainsbury Institute for the Study of Japanese Arts and Cultures)
14:50-15:10 Break
15:10-17:00 Session 4: Literary and artistic circles: publications, popularisation and commercial aspects
Speaker 1
Xiangming Chen (PhD student, University of Oxford): Guide to literati: Kenkadō, Osaka publishing and reception of Qing art
Speaker 2 John Carpenter (Metropolitan Museum of Art): Collaborative paintings with poetry inscriptions as records of Kyoto salon culture
Speaker 3 Yamamoto Yoshitaka (National Institute of Japanese Literature (NIJL)): Court nobles among renowned masters and friends: The imperial court and albums of calligraphy and painting in the early 19th-century Kyoto-Osaka region
Speaker 4 Jingyi Li (Assistant Professor, Occidental College in Los Angeles; online): Commercialized gatherings and commodified literati in 19th-century shogakai
Discussant: Ellis Tinios (Professor Emeritus, University of Leeds)
Day 2: September 11, 2024
9:30-11:20 Session 5: Connections and networks via art
Speaker 1
Iwasa Shin'ichi (Osaka Museum of History): 江戸時代後期の京坂と近隣地域における合作書画の諸相について-制作背景と揮毫者を中心に-(※)
Speaker 2
Yamamoto Yukari (Wako University): 春画とサロン―長崎来舶清人との関係を中心に (※)
Speaker 3 Hirai Yoshinobu (The National Museum of Modern Art (MOMAK)): 京・大坂における長崎派風の伝播の諸相 (※)
Speaker 4 Timothy Clark (Honorary Research Fellow, British Museum): Maruyama-Shijō art at the British Museum
Discussant: Rosina Buckland (British Museum)
11:20-12:00 General discussion

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Date: Aug 2 (Fri) - Aug 4 (Sun), 2024, 10:00-18:00(10:00-17:00 on the final day)

Venue: The Museum of Kyoto, 6F

Free entrance.

Inquiries: 075-551-6535 (Katayama Family Foundation for the Preservation of Noh and Kyoto Dance)

Organizer: Katayama Family Foundation for the Preservation of Noh and Kyoto Dance
Sponsored by: The Museum of Kyoto・NHK Kyoto Broadcasting Station・Kyoto Shimbun
Supported by: Art Research Center (ARC), Ritsumeikan University

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