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As part of our project to digital-archive overseas artworks, the Art Research Center (ARC) is pleased to announce that all of the digitized Japanese cultural materials in the collection of the Rijksmuseum Volkenkunde, Leiden (the Netherlands), including ukiyo-e prints, copperplate prints, and early Japanese books, have been released with the approval of the museum. This time, the published materials comprise mainly paper-based printed and painted materials.

https://www.arc.ritsumei.ac.jp/lib/vm/RV/

As is well-known, the Rijksmuseum Volkenkunde (National Museum of Ethnology), Leiden, is home to an extensive collection of Japanese artifacts comprising the collections of Philipp Franz Balthasar von Siebold, Jan Cock Blomhoff (head of the Dutch East India Company in Dejima - and others. Since the Netherlands was the only country in Europe that traded with Japan during the Edo period, many Japanese collections have been accumulated there. Hence, many researchers of Japanese culture visit the museum to study its collection.

While the museum's collection is also available through the collection database of the Dutch Nationaal Museum van Wereldculturen, organized along with two other Dutch museums, the ARC's database now provides centralized access for the Japanese to the materials of Rijksmuseum Volkenkunde, Leiden. For each of the materials, there is a button to access the Nationaal Museum van Wereldculturen directly so that explanatory data in the original database can be viewed with a single click. At the same time, the materials can be accessed via the ARC's Portal Database, allowing you to compare them with those from other institutions.

We hope that you will find this information useful.

[イベント情報]
February 13, 2021(Sat)

The Art Research Center (ARC) is pleased to announce that the 10th Forum for Knowledge, Arts, and Culture in Digital Humanities will be held online (via Zoom) on Saturday, February 13, 2021.

Date and time:

February 13, 2021 (Sat) from 12:50 PM

Participation:

Online (via Zoom)

・Access information will be sent by e-mail to presenters and those who have registered for participation.

・Please note that this event will not be held at the venue.

Organizer:

Facilitators:

The Forum for Knowledge, Arts, and Culture in Digital Humanities

Ryo AKAMA (Ritsumeikan University), Naoki TAKUBO (Kinki University), Takehiko MURAKAWA (Wakayama University)

Co-organizer:

The Kansai Division of the Art Documentation Society

The Kansai Division of the Japan Society of Information and Knowledge

In cooperation with:

The International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC), Art Research Center, Ritsumeikan University.

Japan Art Documentation Society


Method of Registration

Please send an e-mail with your name and affiliation to kacimeeting+2021(at)gmail.com by Wednesday, February 10, 2021. (Please change "(at)" to "@.")

Participation is free of charge.

An online get-together (free of charge) will be held after the research presentations. We would like to make it a place for exchange beyond the boundaries of universities and research fields, so please join us as well.


Program: →Presentation abstracts (in Japanese)
12:50 Opening Remarks
12:55 Presentation1
「情報処理科目を対象とした選択式問題生成支援システムの改良」
山口 晶啓(和歌山大学システム工学部)
13:20 Presentation2
「遺跡に関するデータベースの位置情報修正の検討」
武内 樹治(立命館大学大学院文学研究科)
13:45 Presentation3
「自治体史等の地域資料のデジタル化・オープン化の進展状況 - 神奈川県市域部と町村域部とにおける相違点」
長塚 隆(鶴見大学名誉教授)
14:10 Break
14:25 Presentation4
「系図コンテンツの効果的な閲覧の支援に関する研究」
東 涼介(和歌山大学大学院システム工学研究科)
14:50 Presentation5
「ソーシャルVRサービス"VRChat"を用いたバーチャル展示制作システムの開発 -立命館大学アート・リサーチセンター閲覧室を事例に-」
江﨑 笙吾(立命館大学文学部)
15:15 Presentation6
「3次元計測で得られる大規模ポイントクラウドを用いた有形文化財の衝突可視化」
Li Weite(立命館大学大学院情報理工学研究科)
15:40 Break
15:55 Presentation7
「日本文化資源としての「時代劇」関連資料アーカイブの構築と活用 ~書き込み脚本を例に~」
辻 俊成(立命館大学大学院文学研究科)
16:20 Presentation8
「演劇アーカイブ研究:現代演劇を中心とした理論と実践」
村上 佳奈子(立命館大学大学院文学研究科)
16:45 Break
17:00 Presentation9
「深層学習モデルに基づく浮世絵画像検索システムの開発」
王 嘉韻(立命館大学大学院情報理工学研究科)
17:25 Presentation10
「浮世絵レコードのクロスモーダル多言語横断検索に向けて:Multilingual-BERTによる作品情報の特徴埋め込み抽出の試み」
Li Kangying(立命館大学大学院情報理工学研究科)
17:50 Closing Remarks
18:00 Get-together

Ako City has started to hold the online exhibition Gishi no Leader: Oboshi Yuranosuke (「義士の頭領・大星由良之助」) from Saturday, November 14, using the Virtual Institute platform of the International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC).

1.pngAko City and the Art Research Center (ARC), Ritsumeikan University, have been promoting the digital archiving of ukiyo-e with the theme of Chushingura and have made the ukiyo-e collection of Chushingura held by Ako City open to the public.

Since 2019, the ARC and Ako City have been working to hold digital exhibitions centered on the works in its database for the purpose of developing database operation methods and promoting their utilization.

In this exhibition, we are introducing a collection of works depicting Oboshi Yuranosuke (or Oishi Kuranosuke), the protagonist of the play Chushingura (The Treasury of Loyal Retainers). Based on a historical event, Chushingura tells the story of forty-seven loyal retainers from the Ako domain led by Yuranosuke who avenged their lord's death. This year, the second online exhibition entitled "Gishi no Leader: Oboshi Yuranosuke" has been now made available to the public.

You can enjoy various "cool" images of Yuranosuke, such as scenes when he appears, scenes of the famous actors playing the role of Yuranosuke, and scenes depicting him in the act of revenge.

>> Click here to enter the Ako City Chushingura Ukiyo-e Digital Exhibition.

>> Click here for the Ako City Chushingura Ukiyo-e Database.

takeuchi_michitakanosekai.jpgのサムネイル画像The Art Research Center is pleased to announce that The World of the Takeuchi Michitaka Collection (『竹内道敬文庫の世界』), a treasure trove of early modern Japanese music materials, has been released.

With the aim to digitize and publish one of the representative collections of the Kunitachi College of Music Library - the collection of Takeuchi Michitaka - the Art Research Center has been collaborating with the library to release the official version of The World of Takeuchi Michitaka and make it available on the ARC's Virtual Institute: https://www.arc.ritsumei.ac.jp/e/v_institute/.

The Takeuchi Michitaka Collection is the world's largest collection of modern Japanese music, especially regarding shamisen music, with over 10,000 items in total, including nishiki-e (woodblock prints), music books, and banzuke (playbills).

While we had previously released the nishiki-e database in March 2019, we officially launch an online digital exhibition this time based on the Kunitachi College of Music 90th Anniversary Project: Takeuchi Michitaka Collection Nishiki-e Picture Book. At the same time, the entire banzuke collection (over 5,600 items) with the focus on kabuki and joruri theater playbills will be made available to the public from our banzuke database.

Please feel free to use this as an online hub for your research on Japanese music: https://www.arc.ritsumei.ac.jp/lib/vm/kunitake/.

As we strive to continue with the digital archiving of music books to release them in the next fiscal year and beyond, please visit our website again in the future.

Furthermore, our digital exhibition is also accessible from the top page of the Kunitachi College of Music Library: https://www.lib.kunitachi.ac.jp/.

BM-2020.3015.046.jpgThe Art Research Center is pleased to announce that the group of drawings by Katsushika Hokusai (1760-1849) made for a book called Great Picture Book of Everything (『万物絵本大全図』) and published online by the British Museum on September 3, 2020, is now also available in the ARC database.

The metadata in the ARC's database is more detailed than the original database due to the additional information provided with the ARC's own research.

<Background>

The existence of these drawings that were formerly owned by Parisian jeweler and art collector Henri Vever had been unknown to the wider world for 70 years after they were sold at an auction. It was only last year when they were finally re-discovered and acquired by the British Museum.

In a total of 103 drawings, Hokusai depicted a wide range of subjects related to natural phenomena, landscapes, ancient China, India and Southeast Asia, amongst others. The discovery of these drawings is especially significant as they stem from a period in the artist's career, the late 1820s, where he was previously thought to have created relatively little due to a series of difficult personal challenges. However, this group of drawings actually marks a turning point in the artist's career, giving him a new burst of creativity that was to be reflected in his subsequent famous print series, Thirty-Six Views of Mt Fuji (c. 1831-1833).

Ukiyo-e Portal Database:

https://www.dh-jac.net/db/nishikie/results.php?f1=BM-2020.3015&-max=50&enter=portal&lang=ja (in Japanese)

https://www.dh-jac.net/db/nishikie/results.php?f1=BM-2020.3015&-max=50&enter=portal&lang=en (in English)

The Early Japanese Books Portal Database

https://www.dh-jac.net/db1/books/BM-2020.3015/portal/

The published images were taken by Art Research Center staff.

<Cooperation with the British Museum>

The ARC has been engaging in the digitization of the British Museum's Japan-related artworks for more than 10 years.

While the artworks that have been digitized by the ARC are available in the British Museum's collection search system, they are also published online by the ARC based on the contractual terms, and many items are only available in the ARC database.

Please refer to the ARC's databases for the British Museum below.

The British Museum Japanese Old Books Database (1,567 items)

https://www.dh-jac.net/db1/books/search_bm.php (in Japanese)

https://www.dh-jac.net/db1/books/search_bm.php?lang=en (in English)

Ukiyo-e Online Database for the Collection of the British Museum (20,436 items)

https://www.dh-jac.net/db/nishikie/search_bm.php?lang=ja (in Japanese)

https://www.dh-jac.net/db/nishikie/search_bm.php?lang=en (in English)

0006_p03_4.jpgThe Otojiro & Sadayakko Kawakami's Album of European and American Performance Materials (commonly known as Otosada Album)/「川上音二郎・貞奴一座欧米公演関係資料アルバム(通称【音貞アルバム】)」 has been published in the Art Research Center's Shochiku Otani Library Special Data Browsing System.

The Shochiku Otani Library that has been implementing the FY 2020 Adopted Joint Research Project (Open Theme) "A Study on the Construction of a Theater Material Image Search System that Utilizes the Theater Performance Record Database (演劇上演記録データベースを活用した、演劇資料画像検索閲覧システムの構築に関る研究)" as part of the International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC) has released the Otojiro & Sadayakko Kawakami's Album of European and American Performance Materials (Otosada Album).

Please access the database from here:

https://www.dh-jac.net/db1/resource/search_sol.php?lang=en

The Shochiku Otani Library Special Data Browsing System has been developed by the ARC-iJAC.

The digital archiving of these materials was made possible by funds raised through the crowdfunding project [No.7] Preserving the Trajectory of Otojiro & Sadayakko Kawakami on the Global Stage for the Future that was launched by the Shochiku Otani Library in 2018. Currently, the crowdfunding project has successfully reached to the round [No.9].

Otojiro Kawakami was a pioneer of the Liberal Civil Rights Movement, actor, and entertainer who enjoyed great popularity with his Oppekepe song. Regarded as a founder of the shinpa theatrical form that originated in the Meiji Period, he played a major role in the modernization of Japanese theater. Furthermore, Sadayakko, who became his wife, is considered as Japan's first actress in the modern period.

This album is extremely valuable because it contains letters and magazine articles from the time when Otojiro and his troupe toured the United States and Europe starting from April 1902.

For more details on the Otosada Album, please see the article below:

https://readyfor.jp/projects/ootanitoshokan7

The Shochiku Otani Library, founded in Tokyo in 1956, is dedicated to materials concerning Japanese theatrical works (mainly kabuki, bunraku, shinpa, shingeki, and commercial plays) as well as movie and TV-related scripts, magazines, posters, and photo collections, amongst others.

[イベント情報]
August 1, 2020(Sat)

The ARC Day, an annual event where the faculty members of the Art Research Center, Ritsumeikan University, take turns to introduce their research projects for the new fiscal year in brief presentations, took place on Saturday, August 1, 2020.

To prevent the spread of the novel coronavirus, this event was held online via Zoom and broadcasted live on YouTube.

For the first time on the ARC Day, four collaborative research projects had been presented which share a common theme「"遊び": アート・エンターテインメント研究」 ("Play": Art Entertainment). The purpose of these collaborative projects is to develop research activities that further integrate humanities and sciences to create new future directions for the ARC while fostering and supporting young researchers and graduate students, who are working jointly on these projects.

To stimulate these young researchers and graduate students in their research endeavors, they also actively participated in the ARC Day as discussants in the Q&A sessions that followed the research presentations.

Program of the ARC Day 2020

pdffile_r.gif The handouts with red icons are protected with passwords. If you wish to download any of them, please email us at r-darc(at)st.ritsumei.ac.jp (Please change "at" to @.)
August 1st(Sat) 14:00~17:10(JST)
14:00-14:05 Opening remarks
14:05-14:35 Session 1
Firstly, each project leader will introduce their projects within 3 minutes in the order of the program. Then, the rest of the session will be spent on Q&As. We will take questions from the participants on Zoom and questions from YouTube participants via Twitter。
1. 「Research Project on the Japanese Cultural Resources using the Concept of "Metahistory" or "Les lieux de mémoire"」
Project leader: Koichi HOSOI, Professor, College of Image Arts and Sciences, RU
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2. 「A System Development Project for Exhibition of Images such as Ukiyo-e through the Means of Games」
Project leader: Ruck THAWONMAS, Professor, College of Information Science and Engineering, RU
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3. 「Play between Creativity and Learning」
Project leader: Akinori NAKAMURA, Professor, College of Image Arts and Sciences, RU
(Presenter: Akito INOUE, Lecturer, College of Image Arts and Sciences, RU)
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4. 「Digital Archive of the Techniques, Processing and Enjoyment of Manga and Anime with its Focus on International Spread and Propagation of Culture」
Project leader: Ryosuke YAMANISHI, Associate Professor, Faculty of Informatics, Kansai University
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5. Collaborative Project ①
Project leaders:Prof. HOSOI, Prof RUCK, Prof. NAKAMURA
(Presenter: Mr. Toshinari TSUJI, M1, Graduate School of Letters, RU)
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14:35-15:05 Session 2
6. 「Play and Discovery in Kanji Characters」
Project leader: Lin MENG, Associate Professor, College of Science and Engineering, RU
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7. 「Construction and Transmission of a Kyoto Street Culture Archive」
Project leader: Shinya SAITO, Associate Professor, College of Image Arts and Sciences, RU
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8. 「Playing in the City of Kyoto - Construction of a Virtual Kyoto Using VR and AR」
Project leader: Naomi KAWASUMI, Associate Professor, College of Letters, RU
(Presenter: Hirotaka SATO, Assistant Professor, College of Letters, RU)
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9. Collaborative Project ②
Project leaders: Prof. RUCK, Assoc. Prof. SAITO, Assoc. Prof. KAWASUMI (Assis. Prof. SATO)
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10. Collaborative Project ③
Project leaders: Prof. MAEDA, Assoc. Prof. MENG, Assoc. Prof. Fumio GOTO (The Shirakawa Shizuka Institute of East Asian Characters and Culture/ Grad. School of Professional Teacher Education)
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15:05-15:35 Session 3
11. 「Acoustic Sound Reconstruction and Playing-Support with Traditional Instruments」
Project leader: Takanobu NISHIURA, Professor, College of Information Science and Engineering, RU
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12. 「A Project on the Intellectual Linkage of Large-Scale Cultural Information」
Project leader: Ryo AKAMA, Professor, College of Letters, RU
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13. 「Project of developing Evaluation Datasets for ARC Collection Databases」
Project leader: Akira MAEDA, Professor, College of Information Science and Engineering, RU
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14. 「Digital Archiving of Indonesian Cultural Heritage and Development of 4D High-Definition Visualization Contents」
Project leader: Dr. Fadjar I. THUFAIL, Senior Researcher, Indonesian Institute of Sciences (LIPI)
(Presenter: Satoshi TANAKA, Professor, College of Information Science and Engineering, RU)
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15:35-15:50 Break
15:50-16:20 Session 4
15. 「Collection and Preservation of Traditional Games from around the World, the Systematization and the Study of Cultural Relevance of Them」
Project leader: Isao UMEBAYASHI, Part-time Lecturer, Shitennoji University
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16. 「Visualization for Re-experiencing the Psychology/ Festival using VR Technology」
Project leader: Kyoko HASEGAWA, Lecturer, College of Information Science and Engineering, RU
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17. 「Generation Z Web Content Archiving Project」
Project leader: Yumi TAKENAKA, Professor, Graduate School of Core Ethics and Frontier Sciences, RU
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18. Collaborative Project ④
Project leaders: Prof. TAKENAKA, Dr. HASEGAWA
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16:20-16:50 Session 5
19. 「Digital Archive Project of Japanese Arts in the Collection of Salar Jung Museum, Hyderabad, India」
Project leader: Shinya MAEZAKI, Associate Professor, Dept. of Apparel and Space Design, Kyoto Women's University
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20. 「Edo Period Map goes Digital - The O Edo ezu as an Interactive Resource」
Project leader: Michael KINSKI, Professor, Japanese Studies, Goethe University Frankfurt
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21. 「Using Digital Archives to Create a Research Network of Japanese Cultural Resources in the UK and Utilizing Digital Resources for Japanese Studies」
Project leader: Ryoko MATSUBA, Senior Digital Humanities Officer, SISJAC
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22. 「A Database Construction of Japanese Medieval Handwritten Copies of Sutras Located in Europe and their Analysis Using Machine Learning」
Project leader: Toshiaki AIDA, Lecturer, Graduate School of Interdisciplinary Science and Engineering in Health System, Okayama University
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16:50-17:05 Buffer(15分)
Q&A Session (Questions from each session and other questions)
17:05-17:10 Closing remarks

title.jpgThe Annual Conference of the Japan Art Documentation Society (JADS), hosted by the Japan Art Documentation Society (JADS) in cooperation with the MEXT International Joint Usage / Research Center International Joint Digital Archiving Center for Japanese Art and Culture (ARC-iJAC), Art Research Center, Ritsumeikan University, took place on June 27 (Sat) and 28 (Sun), 2020.

To prevent the spread of the coronavirus, the event was held online for the first time this year and more than 130 members and non-members of the JADS participated.

As part of this year's annual conference, a symposium on 「芸術文化資源デジタル・アーカイブの国際的共同利用 -- オンライン環境での知的生産システムとそのツール」 (The International Joint Usage of Digital Archives for Arts and Cultural Resources -- Intelligent Production Systems and their Tools in an Online Environment) was held.

hosoi_sensei.jpgThe symposium began with a welcome speech by Prof. Koichi Hosoi, Director of the Art Research Center (ARC), who introduced the international research activities of the ARC-iJAC in the field of digital humanities.

Following his opening remarks, three presenters proposed activities and tools for the next generation of digital research environments in light of the role of digital archives until now which only had a focus on reference information. In this context, they discussed ways and future directions to construct an online knowledge cycle for arts and cultural resources.

Among these three speakers, Mitsuhiro Tsuda, a researcher at the Art Research Center, publicly presented the concept and utilization of the ARC Research Space and ARC Database for the first time and explained their role in effectively building relationships between digital resources and intellectual activities.

akama_sensei.jpgIn supporting the activities of the Japan Art Documentation Society (JADS), the ARC-iJAC aims to contribute to the establishment of such an online knowledge cycle which may enable researchers, curators and librarians not only to "browse" information, but also archive the "relationships" between these resources and produce new knowledge by "editing" and "re-archiving" them in the future.

[イベント情報]
May 22, 2020(Fri)

The "Asahi Collection Kuchi-e Database" has just been published.

This is the result of the Joint Research Project "Infrastructure Development of Digital Research Environment for Modern Woodblock-printed Kuchi-e (Frontispieces)" which was adopted by the "Digital Archive Research Center for Japanese Cultural Resources" in 2018 / 2019.

Currently, the metadata items are not displayed properly yet, but maintenance is scheduled for the near future. We apologize for any inconvenience this may cause and thank you for your understanding.

・Asahi Collection Kuchi-e Database → https://www.dh-jac.net/db/nishikie/search_tasahi.php

[イベント情報]
February 15, 2020(Sat)

2020年2月15日(土)、立命館大阪梅田キャンパスにて、第9回 「知識・芸術・文化情報学研究会」を開催いたします。

日時: 2020年2月15日(土) 13:00 受付開始
場所: 立命館大阪梅田キャンパス(大阪梅田駅前)→MAP
〒530-0018 大阪市北区小松原町2-4 大阪富国生命ビル5階・14階
主催: 知識・芸術・文化情報学研究会
共催: 情報知識学会関西部会
アート・ドキュメンテーション学会関西地区部会
協力: 立命館大学アート・リサーチセンター 文部科学省 国際共同利用・共同研究拠点「日本文化資源デジタル・アーカイブ国際共同研究拠点」

情報知識学会


参加申し込み方法
2020年2月10日(月)までに、氏名・所属を明記の上、kacimeeting+2020(at)gmail.com 宛に電子メールでお申し込みください。 ((at) を @ に変えてください)
参加費は無料です。
研究発表会後に懇親会(有料)を予定しています。大学や分野の枠を超えた交流の場にしたいと思いますので、あわせてご参加ください。(会場・会費等は、決まり次第ご案内します)

プログラム: →発表要旨
13:00 受付開始
13:30 開会挨拶
13:35 発表1
「写経型学習に基づくC言語学習支援インタフェースの構築」
小高 真太郎(和歌山大学大学院システム工学研究科)
14:00 発表2
「情報リテラシーを対象としたテストの実施と調査」
野﨑 崇弘(和歌山大学大学院システム工学研究科)
14:25 休憩
14:40 発表3
「日本伝統音楽のデジタルアーカイブのための紙腔琴シンセサイザの開発」
福森 隆寛(立命館大学 情報理工学部)
15:05 発表4
「インターネットアートのアーカイブ化における課題―参加型アートの議論から」
森 敬洋(立命館大学大学院 先端総合学術研究科)
15:30 休憩
15:45 発表5
「自治体史等の地域資料のデジタル化の進展とオープン化―横浜市の事例から―」
長塚 隆(鶴見大学名誉教授)
16:10 発表6
「A comparative report of deep features and human perception」
Wei Zhenao (College of Information Science and Engineering, Ritsumeikan University)
16:35 閉会挨拶
17:00 懇親会

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