文化サロンとしての蔵屋敷
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AKEO Keizō (Osaka University of Commerce) 明尾圭造(大阪商業大学)
The establishment of domain warehouses (kurayashiki) in Osaka started from the Tenshō era (1573- 1592). During the Tempō era (1830-44), the number of such domain warehouses reached 124 in the city of Osaka, with the vast majority nestled in and around Nakanoshima. This trend was spurred on by the development of the westward maritime trade route by Kawamura Zuiken (1618-1699). The accumulation of goods traded by the kitamae-bune (northern-bound ships) pushed Osaka to become the 'kitchen of the world'.
The term kurayashi conjures the image of a facility for storing and selling products of the domain. The main commodity was rice, but other products such as bonito flakes from the Tosa domain, sugar from Satsuma, and indigo from Tokushima were also important commodities. On the other hand, warehouse managers were also responsible for procuring goods that could not be supplied within the domain. Furthermore, for feudal lords of domains in the southwest, warehouses also served as lodgings during their travels to and from their official residences in Edo. The functions of domain warehouses were thus wide-ranging. While domain warehouses in Edo had a political role in negotiations with the shogunate, in Osaka their role was primarily financial.
When domain warehouses were first established, domains appointed samurai officials to take care of these warehouses (kuramoto). Gradually it became customary for specialist merchants, such as rice wholesalers and money changers, to run the warehouses as kuramoto. Furthermore, with experienced money changers also appointed as accounting managers (kakeya) to handle the money received from sales, domain warehouses and Osaka merchants became inseparable.
I would like to introduce two key figures. One was Kimura Kenkadō (1736-1802) who had close ties with both Satsuma and Tosa domains. He was born into a family that had been engaged in the sake brewing industry for generations at Kita-Horie in Osaka. He was commonly known as Tsuboiya Kichiemon. He had assembled an encyclopedic collection of objects that was celebrated throughout the country. Kenkadō's Diary (Kenkadō nikki, 1779-1802, with the years 1781, 1792, 1795 missing) offers a glimpse into Kenkadō's varied and extensive social interactions. It was through these merchants that specialist products of the western domains, as well as Chinese products (karamono) and medicines imported via Nagasaki and the Ryūkyū kingdom, were distributed around the country via the warehouses. Another interesting figure--the rice dealer/literati artist Komeya Hikobei (1744- 1820), also known as Okada Beisanjin--was appointed as an official under the manager of the Ise-Tsu domain's Osaka warehouse of the Tōdō family around 1790. Although officially responsible for the distribution of warehouse rice, he was also engaged in literary roles as a Confucian scholar and a painter.
The domain warehouses became sites (salons) for interactions and relationships that transcended both their roles as centres of capital accumulation and the social status of the participants, bringing a new cultural dimension to Osaka. It can be said to have been the cradle that fostered many urban literati (the emerging bourgeoisie), such as Kenkadō and Beisanjin.
天正期を嚆矢とする大坂の蔵屋敷は、天保年間(1830-44)には 124 を数え、その大半が中之島周辺に集中していた。こうした流れに拍車をかけたのが、河村瑞賢(1618-1699)による西廻り航路の整備であり、北前船による物資の集積が大坂を「天下の台所」へと押し上げた。
蔵屋敷といえば、本藩の生産物を貯蔵・販売する施設としてのイメージが強い。いうまでもなく年貢米が主だが、例えば、土佐藩の鰹節、薩摩藩の砂糖、徳島藩の藍玉など特産品も無視できない。その反面、本藩内で供給できない物資を調達することも蔵屋敷の役目であるとともに、西南諸藩の藩主にとっては参勤交代の往復に利用する宿舎としての側面もあった。このように蔵屋敷の機能は幅広い。諸藩の江戸屋敷が幕府と折衝する政治的役割を、大坂藩邸は主として財務的な役割を地元商人との折衝をもとに進めていたと言えよう。
設置当初の蔵屋敷には、藩から赴任した蔵役人がいたが、次第に米問屋や両替商などの商人蔵元が通例となった。さらに売却代金を管理する掛屋もまた、両替商が任命されるなど蔵屋敷と大坂商人は密接不可分の関係となった。
ここに 2 人の人物がいる。最初に薩摩・土佐藩と関係が深かった木村蒹葭堂(1736-1802)である。彼は大坂北堀江で代々酒造業を営む家に生まれ、通称は坪井屋吉右衛門。博物学的な資料収集は全国に知られ、その交流は『蒹葭堂日記』(1779-1802)で垣間見ることができる。こうした商人によって西国諸藩の特産物はもちろん、薩摩・長州藩に見られる長崎、琉球を経由して輸入された中国製品(唐物)や漢方薬種が蔵屋敷を介して全国的に伝播していくこととなる。一方で文人画家の一面を有し、米穀商として実績のあった米屋彦兵衛(1744-1820)は、伊勢津藩藤堂家の大坂蔵屋敷留守居下役として士分取立(寛政年間)されている。岡田米山人または米翁と号した。表向きは蔵米流通の担当だが文事に長けた儒家や画家としての兼務取立と推察される。
物流による資本の蓄積と身分を超えた人間関係の舞台(サロン)となった蔵屋敷は大坂に新たな文化的局面をもたらし、蒹葭堂や米山人などの都市文人(新興ブルジョアジー)を輩出する揺籠であったとも言えるだろう。
動画 (要パスワード)