Shin-no-shidaiのソースを表示

=総合=
In noh, '''shin-no-shidai''' ([[真の次第]]) is a version of the ''[[shōdan]]'' called ''[[shidai]]''.

In noh, first-category deity plays begin with a '''shin no shidai''', except when the play follows a performance of the ritual piece ''[[Okina]]''. (In that case, the distinctive entrance music ''[[shin-no-netori]]'' featuring long flute and shoulder drum solo passages is used.) The shin-no-shidai has a strong, brisk feel suggesting the high rank of the ''[[waki]]'' and the importance of his task. It has five sections which often are abbreviated to three: ''[[kakari no dan]]'', the introduction before the waki entrance; ''[[maku hanare-no-dan]]'', the waki enters through the curtain to stand along the ''[[hashigakari]]''bridgeway; and ''[[hayamegashira-no-dan]]'', the 'quick head pattern section' in which the tempo quickens and the waki enters the main stage. This may be abbreviated even further by leaving out the first division '''(Bethe & Emmert, 1996:11-12)'''. After shin-no-shidai entrance music, the ''[[jitori]]'' following the shidai song is sung by the chorus in standard match rhythm rather than in free rhythm, and is followed by a repetition of the shidai, called ''[[sanbengaeshi]]'' ('third return').

[KWB]

[[category:noh]]