Hiranoriのソースを表示

ひらのり　[[平ノリ ]]

'''Hiranori''' (plain match, common match) is the most frequently used of the three styles of congruent (''[[hyōshi ai]]'') rhythms used in nō chant.

The standard twelve syllables of the poetic line (''[[ku]]'') are divided into two hemistichs of 7 and 5 syllables and distributed over a theoretical eight-beat musical phrase (''[[yatsu-byōshi]]''). Generally speaking, the seven-syllable opening hemistich is distributed among four and a half beats, and the five-syllable semi-stitch over three and a half beats. However, the effect varies depending on the type of patterns the drums are playing. With the sparse drum pattern (''[[mitsuji]]''), the twelve syllables are sung  with essentially even weight, but matched to the 'continuous' drum pattern (''[[tsuzuke]]''), three of the syllables (usually the 1st, 3rd, and 5th) are extended to double length. A rest for taking a breath comes on the 8th beat.

Greater complexity occurs when the poetic line is longer or shorter than twelve syllables (e.g. 7+4, 6+5, 4+6, etc). When, for instance, the first hemistich has less than 7 syllables, the singing may begin later, or alternatively, single syllables may be drawn out using a melisma. There are also stylistic differences among the various schools (''[[ryū]]'') of chanters and drummers. 

[[category:noh]]

(MB)