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…]]'', the 'quick head pattern section' in which the tempo quickens and the waki enters the main stage. This may be abbreviated even further by leaving out

…tsure]]''), or, in some cases by the ''[[waki]]'' (or by the waki with ''[[waki-tsure]]''). If the sashi is sung by the shite, it is usually the first line

…called ''[[jōza]]'') next to the shite pillar. Waki perform nanori at ''[[waki-za]]'' or, in some cases, at the center of the stage. Nanori can be be spo

…e flute begins to play in the last division, the curtain is lifted and the waki (and wakizure if any) enters along the ''[[hashigakari]]'' bridgeway and go

…the shidai sequence, and in five of these (e.g. ''[[Atsumori]]'') both the waki and the shite enter to shidai music. The term shidai is adapted from a Budd

In noh, '''nakairi''' (中入) refers to the ''[[shite]]'', or ''[[waki]]'', or ''[[tsure]]'', going backstage through the ''[[hashigakari]]'' brid

==Waki: Priest Kūya The waki, a traveling priest called Kūya, visits Mt. Atago. While he is preaching,

…identified according to the function or action of the shite and/or of the waki.

…t simply by the entrance and/or exit of the shite, or in some cases of the waki. A recurrent dramaturgical pattern has a play composed of two ba. In the ''

==Waki: Chōryō

…cking up the sleeves for work. Traveling monks (''tabisō'') appearing as [[waki]] in many dream noh (''[[mugen noh]]'' [[夢幻能]]), wear plain brown or

…third of the wide divided skirts, which may be ōkuchi (ministers, notably 'waki roles in many first-category plays) or hangiri (supernatural beings, such…