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	<title>Kido - 版の履歴</title>
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	<updated>2026-05-01T22:15:00Z</updated>
	<subtitle>このウィキのこのページに関する変更履歴</subtitle>
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		<id>https://www.arc.ritsumei.ac.jp/artwiki/index.php?title=Kido&amp;diff=62859303&amp;oldid=prev</id>
		<title>2025年5月7日 (水) 00:00にWikiSysopによる</title>
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		<updated>2025-05-07T00:00:04Z</updated>

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&lt;p&gt;&lt;b&gt;新規ページ&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[木戸]]　きど&lt;br /&gt;
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&amp;quot;Wooden door.&amp;quot; Entrance gates in Edo-period theatres. While the term could refer to an on-stage free-standing gate dividing interior and exterior scenic spaces (&amp;#039;&amp;#039;kido guchi&amp;#039;&amp;#039;), or the theatre entry gate for production personnel (&amp;#039;&amp;#039;ura kido&amp;#039;&amp;#039;), it most often referred to the theatre entrance for ticket-holders. In this latter sense, it was also called &amp;#039;&amp;#039;nezumi kido&amp;#039;&amp;#039; (mouse door), due to the fact that its small size and low placement required spectators to bend over to enter the theatre, presumably to prevent non-paying spectators from slipping in. Tickets for those seated in the more expensive seating areas were typically arranged by the adjoining teahouses ([[shibaijaya]]), whose personnel escorted patrons to their seats along corridors connecting teahouses to the theatre, thus avoiding the kido entrance. (KSL)&lt;br /&gt;
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[[category:Kabuki|Kido]]&lt;br /&gt;
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		<author><name>WikiSysop</name></author>
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