https://www.arc.ritsumei.ac.jp/artwiki/index.php?action=history&feed=atom&title=Hiranori 2026-06-20T11:02:18Z このウィキのこのページに関する変更履歴 MediaWiki 1.43.0 https://www.arc.ritsumei.ac.jp/artwiki/index.php?title=Hiranori&diff=62859359&oldid=prev 2025-05-07T00:00:04Z

<p></p> <p><b>新規ページ</b></p><div>ひらのり　[[平ノリ ]]<br /> <br /> &#039;&#039;&#039;Hiranori&#039;&#039;&#039; (plain match, common match) is the most frequently used of the three styles of congruent (&#039;&#039;[[hyōshi ai]]&#039;&#039;) rhythms used in nō chant.<br /> <br /> The standard twelve syllables of the poetic line (&#039;&#039;[[ku]]&#039;&#039;) are divided into two hemistichs of 7 and 5 syllables and distributed over a theoretical eight-beat musical phrase (&#039;&#039;[[yatsu-byōshi]]&#039;&#039;). Generally speaking, the seven-syllable opening hemistich is distributed among four and a half beats, and the five-syllable semi-stitch over three and a half beats. However, the effect varies depending on the type of patterns the drums are playing. With the sparse drum pattern (&#039;&#039;[[mitsuji]]&#039;&#039;), the twelve syllables are sung with essentially even weight, but matched to the &#039;continuous&#039; drum pattern (&#039;&#039;[[tsuzuke]]&#039;&#039;), three of the syllables (usually the 1st, 3rd, and 5th) are extended to double length. A rest for taking a breath comes on the 8th beat.<br /> <br /> Greater complexity occurs when the poetic line is longer or shorter than twelve syllables (e.g. 7+4, 6+5, 4+6, etc). When, for instance, the first hemistich has less than 7 syllables, the singing may begin later, or alternatively, single syllables may be drawn out using a melisma. There are also stylistic differences among the various schools (&#039;&#039;[[ryū]]&#039;&#039;) of chanters and drummers. <br /> <br /> [[category:noh]]<br /> <br /> (MB)<br /> <br /> </div>

WikiSysop